Guest Post: Elvis 1967 – Clambake!

When Ty announced that The Mystery Train Elvis Blog would honor the 44th anniversary of 1967 with special features on that Elvis year all throughout 2011, I couldn’t keep my fingers away from the keyboard. Not only does 1967 mark the year I was born, it also saw the release of the soundtrack album Clambake, and I’d like to talk a little bit about the latter.

Clambake (1967)

Clambake (1967)

Actually, Clambake isn’t strictly a soundtrack album as it includes no less than five bonus songs, four of them recorded in Nashville on September 10-11, 1967. No doubt this is a big part of the explanation why I like it. And although one of the worst soundtrack songs Elvis ever recorded is featured on it as well, a lot of the movie material works surprisingly well.

Clambake is the only soundtrack album to kick off with a bonus song, and what a start it is. For starving fans back in 1967 it must have been a joy to listen to Elvis belting out “Guitar Man.” This is one of the songs that revealed that Elvis was again showing signs of musical creativity and a newly found interest in his career.

Although the same thing can’t be said about the next song, I actually enjoy the title track “Clambake.” It’s a fun number and I love it when Elvis sings “Aaaaaaaallrigh” at the beginning of the instrumental break.

The duet “Who Needs Money?” is a dreary song, but what follows is the pretty little ballad “A House That Has Everything.” Unfortunately, it’s then time for “Confidence,” a song I would list among the five worst numbers Elvis ever recorded. A children’s song that is unlikely to appeal to any child, or grownup too, for that matter.

The last song on side 1 of the original LP is “Hey, Hey, Hey,” a number many fans think is crap. I agree that the lyrics are silly and that the scene in the movie where it’s sung is an awful one. But I think it works well on record, it’s a funky, enjoyable number.

Side two is actually better than the first one, no doubt because the rest of the bonus songs can be found on it, together with the beautiful “You Don’t Know Me,” certainly one of Elvis’ best soundtrack ballads. When I bought the LP I never understood why it was labeled “Specially recorded for records.” It was years later that I learned that Elvis wasn’t satisfied with the version recorded during the Clambake session, on February 21, 1967.

“The Girl I Never Loved” is another beauty, I love it when Elvis sighs while singing “The kiss I never got, somebody else will make…” A sensitive ballad.

Why is is that some of the best songs are always cut from the movies? “Animal Instinct” from Harum Scarum and “Sand Castles” from Paradise, Hawaiian Style are two such examples, the bonus song “How Can You Lose What You Never Had” from Clambake another.

The three excellent bonus songs “Big Boss Man,” “Singing Tree,” and “Just Call Me Lonesome” round off the original Clambake album, released in October 1967, four months after I was born. I first listened to it maybe fifteen years later, and still do now and then. Clambake, gonna have a clambake!

/Thomas, Elvis Today


Throughout 2011, The Mystery Train Elvis Blog is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

Valentines From Elvis: His Top Ten “Love” Songs

In honor of Saint Valentine’s Day, here is my top ten list of Elvis songs released during his lifetime that contained some form of the word “love” in the title. Can you believe I had about 70 different songs to choose from to compile this list? Here are the best of the best.

#1 Can’t Help Falling In Love (1961)
Blue Hawaii
Other notable versions: 1968 live (ELVIS-TV Special); 1969 live (From Memphis To Vegas/From Vegas To Memphis).

#2 Love Me (1956)
Elvis
Other notable version: 1968 live (A Legendary Performer, Volume 1).

#3 You’ve Lost That Lovin’ Feelin’ (Live-1970)
That’s The Way It Is

#4 Burning Love (1972)
Burning Love And Hits From His Movies, Volume 2
Other notable version: 1973 live (Aloha From Hawaii Via Satellite).

#5 Pledging My Love (1976)
Moody Blue

#6 Love Me Tender (Live-1968)
ELVIS-TV Special

#7 After Loving You (1969)
From Elvis In Memphis

#8 Wearin’ That Loved-On Look (1969)
From Elvis In Memphis

#9 Power Of My Love (1969)
From Elvis In Memphis

#10 Your Love’s Been A Long Time Coming (1973)
Promised Land

Happy Valentine’s Day, everyone!

“It’s the music and not the value of the collection that counts”

Thomas over at the Elvis Today blog has a real talent for summing up the experience of being an Elvis fan. In today’s post, “The Truth About Me,” he reflects on when he first became a fan, including a reprint of an article he wrote 21 years ago for a Swedish Elvis fan club.

“During the years me and my other brother have built a record collection that we’re proud [of],” he wrote in 1990. “Not because it includes a lot of valuable editions, but because we think we own most of the stuff released officially by Elvis, and to us it’s the music and not the value of the collection that counts.”

In the end, the music is all that really matters. Whether you are listening on vinyl records, MP3s, cassette tapes, CDs, or even 8-tracks, Elvis is still there. His music is what brings us all together. His music is our shared experience. And no matter what classless jokes or baseless claims people want to lob at him, Elvis always wins in the end because his music pounds through all of that noise and demands to be heard.

“The image is one thing, and a human being is another,” Elvis said in 1972. “It’s very hard to live up to an image.” While the image of Elvis has morphed over the years, the underlying truth of his statement remains. Like Thomas says, you don’t need an expensive collection to explore the music and go beyond the image.

After all, a scratched-up record of seemingly no value can in fact be priceless.

Elvis Presley Enterprises and fans help raise $85,000 in Super Bowl benefit

One of the stories I’ve enjoyed covering most here on The Mystery Train is Elvis Presley Enterprise’s Super Bowl watch party, held February 6 on the front lawn of Graceland. At $500 a ticket, the catered event benefited St. Jude Children’s Research Hospital. The day also featured Elvis-style football games on the lawn and a silent auction of sports and Elvis items. According to St. Jude, this ultimate Super Bowl party raised nearly $85,000.

As I mentioned Monday, Elvis’ rendition of “That’s All Right” could briefly be heard in the background during the Super Bowl TV broadcast while it played over stadium loudspeakers. I wondered at the time if those partying at Graceland picked up on this.

I decided to contact Elvis Presley Enterprises and find out. It turns out that the attendees did indeed hear Elvis during the game. “We also got emails from fans around the world who also heard the music clip being played,” said Alicia Dean, Media Assistant for EPE.

Dean also cleared up another one of my questions about the event. EPE’s original announcement stated that it was “only the second time an event has been held on the lawn, or anywhere on the property, since Elvis’ passing” (“Super Bowl Watch Party at Graceland to Benefit St. Jude” — Elvis.com). According to Dean, the first event was a party benefiting the TJ Martell Foundation on Ocotober 7, 1994, which was the day before the Elvis Aaron Presley: The Tribute concert at the Pyramid.

Elvis Aaron Presley: The Tribute was a live, pay-per-view television event featuring various music stars performing Elvis songs, including Faith Hill, Chris Isaak, Michael Hutchence, and Cher. It also resulted in the album It’s Now Or Never: The Tribute To Elvis, which contained a few of the songs from the show. Some footage of the concert also appeared in the December 1994 ABC TV special Elvis: The Tribute, hosted by John Stamos.

In life, Elvis always gave time and money to good causes, and EPE has done a terrific job of continuing that tradition over the years since his death. Many of Elvis’ fans have also continued in that spirit as well. As I’ve mentioned before, one organization worth checking out is the Elvis Presley Charitable Foundation, which is run by Lisa Marie Presley and the rest of the EPE management team and includes projects such as Presley Place.

Related Links

Elvis Presley plays in Super Bowl XLV

I hope the fine folks enjoying the Super Bowl watch party at Graceland yesterday were able to make this out. While watching the game on FOX-TV, I could faintly hear music they picked up from the stadium loudspeakers near the end of the first half.

That is nothing unusual, except this time it was a familiar voice singing “That’s All Right.” It didn’t last long, but it was awesome to hear Elvis playing in the Super Bowl! It was definitely a remix, probably the one from Viva Elvis: The Album. The Green Bay Packers went on to defeat the Pittsburgh Steelers to become champions of the National Football League. Elvis Presley Enterprises’ Super Bowl watch party benefited the St. Jude Children’s Research Hospital.

EPE sues Spankox over unauthorized Christmas Remixes album

I remember being slightly surprised last year that Elvis Presley Enterprises had authorized Christmas Remixes, containing dance remixes by DJ Spankox of 1957’s entire Elvis’ Christmas Album. Sure, I could point to the rubber duckies or the potato heads as other examples of severe lapses in judgment when it comes to protecting Elvis’ legacy, but a dance remix version of Elvis’ Christmas Album? Really?

Turns out that EPE may have been just as surprised as I was to hear about the release of the album. In a lawsuit for which they recently won a summary judgment, EPE alleges they gave no such authorization to Spankox (Spankox Sued By EPE – ElvisNews.com).

EPE previously worked with Spankox in an authorized fashion on Re:Versions (2008) and Re:Mixes (2010). Re:Versions had uneven results, though I did enjoy the new take on “Too Much.” The Re:Mixes follow-up was rather poor, with few real highlights – perhaps, only “Hound Dog” (but it is, after all, the power of Elvis’ performance shining through and not the remix itself that makes that one compelling).

Compared to the stellar remix efforts by others on 2010’s Viva Elvis: The Album, 2002’s “A Little Less Conversation,” and 2003’s “Rubberneckin,'” Spankox’s attempts seemed insignificant and worn out. I never bothered to seek out his Christmas Remixes album, and it turns out that I made the right choice. Allegedly attempting to pass off something like that as being an authorized product just isn’t cool.

February 7 Update: The official Elvis.com site has posted an item about winning the Spankox lawsuit.

By Any Other Name

A couple of weeks ago, I told you about the forthcoming Follow That Dream Records release White Knight In Vegas. FTD, which is Sony’s collectors label for Elvis fans, announced yesterday that the CD has been retitled to Live In Vegas: August 26, 1969 Dinner Show. Content is the same as previously reported. The February 15 release date is apparently unaffected, though I would not be surprised if there turns out to be a slight delay.

One of the best music blogs around is The Second Disc, which I visit daily. It focuses on catalog releases across a full spectrum of genres. Though I am not likely to create a blog devoted to anyone else, my music tastes go far beyond Elvis, and I always find something of interest there.

The Second Disc also does a good job of covering Elvis’ Sony releases. I was glad to see earlier this week that FTD is now on their radar as well, with a story about the then-titled White Knight In Vegas release.

It’s always good to see Elvis releases covered on sites that are not specifically about him. For other artists, I find out about and purchase many releases I would not otherwise know about due to The Second Disc, and the same may hold true for more casual Elvis listeners who visit that site.

Does every FTD release warrant such exposure? No, but Live In Vegas certainly does, as well as titles in the FTD Classic Album series, which features reissues of original albums with tons of outtakes.

Last month, FTD completed its Classic Album coverage of the November 1957 Jailhouse Rock Extended Play album with the two-disc Jailhouse Rock, Volume 2. Between the two volumes, this means that FTD devoted four CDs to what was originally a five-song EP. Now, that’s what I call a collectors label!

FTD’s next Classic Album entry has not yet been announced, but I’m hoping for coverage of the January 1975 LP album Promised Land (recorded in 1973).

The FTD label began in 1999 and has released nearly 100 titles so far, more albums in eleven years than Elvis released during his entire twenty-three year career. FTD releases are available from ShopElvis.com and other online Elvis retailers. Since they originate in Denmark and then ship to retailers, there is usually a two or three week delay after the “release date” before the CDs arrive for those of us in the United States – though that delay seems to be less lately. FTD releases are usually worth the wait.