Elvis: The Lost (Christmas) Performances

Thomas has been doing a terrific job of covering Christmas this month over on the Elvis Today blog. His post today is about a certain tune from Viva Las Vegas that is considered a Christmas song in Sweden. When Thomas makes up Elvis Christmas compilations, this recording makes the list. Check out “The Missing Christmas Song” to find out more.

Thomas’ post reminded me of another “lost” Christmas song by Elvis. Elvis’ 1968 recording “Stay Away” for the movie Stay Away, Joe was based on the melody “Greensleeves.” Though never recorded by Elvis, the Christmas classic “What Child Is This?” is based on this same melody. Something to think about the next time you listen to “Stay Away.” It’s a Christmas song in disguise.

Softly, As I Leave You (Singer Sherrill Nielsen, 1942-2010)

“Listen to his voice, ladies and gentlemen”

Sad news this morning. Singer Sherrill Nielsen passed away on December 10, reports Elvis Information Network and ElvisMatters. He was 68.

Nielsen first performed with Elvis as a member of the Imperials gospel group on the 1966 album How Great Thou Art. He left the Imperials shortly thereafter, but returned to the Elvis world in 1973 as a member of a new group, Voice. Voice provided backup singing in concert and in the studio, including work on 1975’s Elvis Today album.

Nielsen features prominently on two live recordings released shortly after Elvis’ death. On the 1977 album Elvis In Concert, which compiled songs from two stops on his final tour, Elvis introduces Nielsen and asks him to sing “O Sole Mio” – the original Italian version of “It’s Now Or Never.” As Nielsen sings solo during the June 21, 1977, performance in Rapid City, South Dakota, Elvis playfully gibes him as a “smart aleck” while hitting the high notes. Elvis soon takes over to do a solid version of “It’s Now Or Never.”

Softly, As I Leave You (1978 single)

Softly, As I Leave You (1978 single)

In February 1978, six months after Elvis’ death, RCA released a single from that same concert – a haunting version of “Unchained Melody,” with piano accompaniment by Elvis himself. The flip side of that 45 RPM record was “Softly, As I Leave You,” which includes almost no singing by Elvis. Instead, in this December 13, 1975, recording from a Las Vegas concert, Elvis tells a fictional story about a dying man composing the song as a final letter to his wife. As Elvis delivers the dramatic tale and speaks the lyrics of the song, Nielsen provides the nearly operatic vocals.

They close in harmony together on the final line, “I will leave you there.”

My condolences go out to Nielsen’s family and friends.

* * *

Research Source: Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.

Elvis Sings In The Movies: His 25 Best Movie Songs

“I’ve had people ask me was I gonna sing in the movies. I’m not, I mean as far as I know, ’cause […] I wouldn’t care too much about singing in the movies.”
–Elvis Presley, April 15, 1956
(Source: Elvis Word For Word, by Jerry Osborne, Harmony Books, New York, 2000.)

Despite the fact that Elvis did not plan to sing in his movies, he of course went on to sing in all 33 of them. In fact, 1969’s Charro would be the only film in which his character did not sing on screen – though Elvis still provided the theme song for the credits.

What if Elvis had been able to follow his heart and not sing in the movies? Would his Hollywood career have been as successful? Would he perhaps have been even more successful if allowed to develop as a true actor? We will never know for sure the answers to these questions.

What we do know, however, is that 241 of Elvis’ 710 master recordings were made specifically for movie projects. While losing songs like “Queenie Wahine’s Papaya” from his career catalog would surely not have been detrimental, a fair number of more impressive songs would also be gone.

With that in mind, below is my top 25 list of Elvis’ greatest movie songs.

#1 Can’t Help Falling In Love (1961)
From Blue Hawaii

#2 Jailhouse Rock (1957)
From Jailhouse Rock

#3 Clean Up Your Own Backyard (1968)
From The Trouble With Girls

#4 Baby, I Don’t Care (1957)
From Jailhouse Rock

#5 Let Yourself Go (1967)
From Speedway

#6 All I Needed Was The Rain (1967)
From Stay Away Joe

#7 You Don’t Know Me (1967)
From Clambake

#8 Mean Woman Blues (1957)
From Loving You

#9 Charro (1968)
From Charro

#10 Follow That Dream (1961)
From Follow That Dream

#11 King Of The Whole Wide World (1961)
From Kid Galahad

#12 Viva Las Vegas (1963)
From Viva Las Vegas

#13 Hard Headed Woman (1958)
From King Creole

#14 Got A Lot O’ Livin’ To Do (1957)
From Loving You

#15 Edge Of Reality (1968)
From Live A Little, Love A Little

#16 King Creole (1958)
From King Creole

#17 Anyone (1963)
From Kissin’ Cousins

#18 Bossa Nova Baby (1963)
From Fun In Acapulco

#19 Speedway (1967)
From Speedway

#20 Let Us Pray (1969)
From Change Of Habit

#21 Today, Tomorrow And Forever (1963)
From Viva Las Vegas

#22 No More (1961)
From Blue Hawaii

#23 Rock-A-Hula Baby (1961)
From Blue Hawaii

#24 Ku-u-i-po (1961)
From Blue Hawaii

#25 G.I. Blues (1960)
From G.I. Blues

By the way, because it was a documentary, I left out songs from Elvis-That’s The Way It Is – which certainly would have dominated this list. The above also does not include songs from Tickle Me or “Rubberneckin'” from Change Of Habit because those were re-uses of previously recorded songs. Otherwise, a number of them would have cracked the top 25 as well.

Though it was a cost-saving maneuver for Tickle Me, oddly enough using existing recordings resulted in better songs because it featured selections from Elvis’ non-movie sessions.

Though the movie years resulted in more bad songs than great ones, we still would have missed out on all or most of the above listed songs without them. Beyond this, the power of 1968’s legendary ELVIS (Comeback) TV special would be diminished if that moment had not been about getting back on the track. History cannot be changed, and usually that is for the best.

(Thanks to Alex, whose comment on a previous entry inspired today’s post.)

“They don’t seem like art to me”

“They don’t seem like art to me,” is how ElvisBlog’s Phil Arnold inexplicably dismisses the Elvis works of the legendary Andy Warhol in his post today commemorating Flaming Star (50th Anniversary Movie Pictorials: Flaming Star – 1960 — ElvisBlog).

The Warhol works are derived from a publicity photo of Elvis as he appeared in the 1960 film. Warhol’s 1963 piece Triple Elvis is in the collection of the Virginia Museum Of Fine Arts.

I saw it several times as a kid. It is quite stunning in person and very much “art.” I am hoping it will still be on display when the Elvis At 21 Alfred Wertheimer exhibit arrives there late next year.

Of course, there are also people out there who say that Elvis was never a singer, much less an artist, so I suppose Warhol is in good company.

* * *

Flaming Star, one of Elvis’ best movies, was directed by Don Siegel – who went on to direct Clint Eastwood in a number of films, including Dirty Harry. The end of the Eastwood-directed Unforgiven (1992) includes the dedication “To Sergio and Don,” his mentors. “Sergio” is Sergio Leone, who directed Eastwood in what became known as The Man With No Name trilogy, and “Don” is Don Siegel.

From “Harbor Lights” to “Unchained Melody” in 14 days

A few months ago, I spent three weeks listening in release order to all Elvis albums issued during his lifetime. Though I owned these songs for years, I had never played them in such a sequential manner before. I probably never would have, either, were it not for the convenience of modern technology – using iTunes and my iPod.

All of the great coverage around the web about Sony’s The Complete Elvis Presley Masters collection inspired me to undertake a similar journey in recent weeks. Using the Elvis Presley master recordings list as a guide, I created a new playlist to listen to all of the songs in recording order this time. While I was at it, I also tagged each song with a number so that I can easily sort them by recording order in the future.

It took me only two weeks to listen to over 700 Elvis songs, and it was an even better listening experience this way. As expected, the hardest years for me to sludge through were 1964 and 1965 (from about “Poison Ivy League” on down to “Queenie Wahine’s Papaya”). Even then, there were the occasional highlights like “Please Don’t Stop Loving Me” or “This Is My Heaven” – but most songs from this time represent the worst of the movie tunes.

Outside of that long rough spot, though, playing the songs in a coherent fashion like this made it even more obvious how solid most of his other recordings were over the years. It really made me appreciate the “sound” of individual sessions, something that is not always evident when listening to many of his albums. As a fan, it was an emotional experience as well, even more so than listening to them as albums.

When the Graceland sessions came to a close with “He’ll Have To Go,” I realized there were only three Elvis recordings left before he did just that. As he sang “If You Love Me,” and “Little Darlin’,” I knew the inevitable was coming. It was going by so fast, I wanted it to slow down, I wanted it not to happen this time.

He launched into his breathtaking version of “Unchained Melody” and when it was over . . . silence.

I sat and listened to that silence for awhile . . . and thought about what it represented.

My favorite Christmas song

In response to the following Elvis Today on Facebook post:

Playing Elvis Sings The Wonderful World Of Christmas right now. Which Christmas song is your favorite? My vote goes to ‘Merry Christmas Baby’.”

I’m not on the Facebook, so I’m just going to take the easy route and answer the question right here. My favorite Christmas song is 1957’s “Santa Claus Is Back In Town” from Elvis’ Christmas Album. I also love his brief take of the same song on the Tiger Man album, a concert recorded for the ELVIS (’68 Comeback) TV special.

Of course, I can’t play by the rules and choose just one. Another favorite is 1971’s “I’ll Be Home On Christmas Day,” including the original version on Elvis Sings The Wonderful World Of Christmas and an alternate version on Today, Tomorrow & Forever.

Truth is, I love all of his Christmas music, though. I love this time of year. I’m a bit of a Christmas music fanatic. I probably have 500 Christmas songs. Now that the season is here, I’ve set my iPod to start placing Christmas music into the rotation. I up the percentage each week until Christmas Eve, when it is 100% Christmas music for two days. I’m not sure why I can’t just do things like normal people, but I guess I wasn’t designed that way.

Also, why is it when I plan to write a six word response that I end up writing six paragraphs?

Anyway, right now I’m listening to “Tiger Man” on 1969’s From Memphis To Vegas/From Vegas To Memphis album. Not a Christmas song, but one of the greats! He really rocked that one. I wish he were still here.

Elvis Information Network presents a massive review for an enormous set

I’ve been living vicariously through others lately by rather obsessively reading different people’s views of both the Sony and Franklin Mint complete masters sets. I have to hand it to Piers Beagley over at Elvis Information Network. The prospect of reviewing a 30-disc set like The Complete Elvis Presley Masters must have been daunting. I don’t mind telling you that I doubt I could do it.

He did a fine job, and included a lot of great photos. For scale perspective, he even included a standard CD in the shots. Wow, the set is actually much larger than I realized!

Outside of scattered forum postings, this is probably the set’s first full-fledged review. Be sure to read Piers Beagley’s massive 5,000 word review of the enormous Complete Elvis Presley Masters over on EIN.