1972

Prince From Another Planet highlights an unreachable star

/ TY / 7 Comments

Sony released three new Elvis titles to US stores on Tuesday, all of them related to his 1972 appearances at Madison Square Garden. While I commend Sony for bringing these releases to market, they have also brought along with them much confusion over the similar contents.

I’m no miracle worker, but I’ll try to clear this up for you as best I can.

Prince From Another Planet: As Recorded At Madison Square Garden is a 2-CD/1-DVD boxed set. CD 1 is a 2012 mix by Michael H. Brauer of Elvis’ June 10, 1972, afternoon show at the Garden, mastered by Vic Anesini. CD 2 is a 2012 mix by Brauer of Elvis’ June 10 evening show at the Garden, mastered by Anesini. The DVD contains a new documentary (Like A Prince From Another Planet), footage from Elvis’ June 9 press conference in New York, and fan-shot 8-millimeter footage of the June 10 afternoon show. Also included is a 50-page book, featuring liner notes by Lenny Kaye.

Elvis Presley's 1972 New York press conference

Elvis at his June 9, 1972, press conference

Elvis As Recorded At Madison Square Garden: Legacy Edition is a 2-CD set. CD 1 is a vintage 1972 mix of Elvis’ June 10 evening show at the Garden, mastered by Anesini in 2007. This represents the 1972 album Elvis As Recorded At Madison Square Garden, which hit store shelves only a week after the actual show. Due to Anesini’s mastering, which was first released on 2009’s Elvis: The Complete Masters Collection and 2010’s The Complete Elvis Presley Masters, the sound quality is improved over the 1992 CD release. CD 2 is a vintage 1997 mix of Elvis’ June 10 afternoon show at the Garden, mastered by Anesini for this 2012 edition. This represents the 1997 album An Afternoon In The Garden.

Sony has also released a new vinyl version of Elvis As Recorded At Madison Square Garden. This 2-LP release of the June 10 evening show is a newly mastered version of the vintage 1972 mix. Despite the fact that it is now two records, this does not contain the afternoon show. The original 1972 vinyl issue of this album was only one record, but the two record format is for better sound quality.

As you can see, fans of Elvis in 1972 have a nice selection from which to choose. As for me, I went with the deluxe Prince From Another Planet set because I wanted to hear the 2012 mixes. The Legacy Edition was not appealing to me because I already have the vintage As Recorded At Madison Square Garden mix as mastered by Anesini on The Complete Masters Collection, and I was not interested in a new mastering of the 1997 mix of An Afternoon In The Garden. I may eventually pick up the vinyl, though I tend to gravitate more towards records produced while Elvis was alive.

Prince From Another Planet (2012)

I’m not going to do a formal review, but I can’t close out without saying that Prince From Another Planet is incredible. Brauer has done a fantastic job mixing these shows. Crank up your sound system and maybe, just maybe, you can be transported back to June 10, 1972, and experience Elvis at the Garden.

As you might expect, the difference is most striking on the evening show. To say that the 1972 mix was rushed would be an understatement. This new 2012 mix finally illuminates this show in the fashion it deserves.

The Like A Prince From Another Planet documentary is worthwhile. I would like to see more documentaries of this nature, highlighting specific points in Elvis’ career. It does “spoil” a lot of the fan-shot footage, though, so you may want to watch that first.

The amateur video of the June 10 afternoon show looks about as good as 8 millimeter footage can possibly appear. Do not go in expecting professional Elvis On Tour or Aloha From Hawaii quality, though. This understandably looks grainy on large television sets. Though the original footage was silent, Sony has meticulously synched the 2012 mix of the show’s audio with the footage. To put it mildly, the footage is stunning and makes for a terrific experience . . . almost.

Elvis on stage at the Garden

Elvis on stage at the Garden

Only about twenty minutes of footage from this sixty minute show actually exists. During parts of the show for which there is no footage, the screen goes black while the audio continues. There are several long stretches of songs with no footage at all. To be honest, I cannot imagine a member of the “general public” (i.e., someone who is not an obsessed Elvis fan) sitting through this. Even I became restless at times, afraid to take my eyes off the big blank screen for fear I would miss the video. Sony should have provided an option to “View All Footage” and skip over the blank portions. This is but a minor quibble, though. Keep in mind while watching this that Warner Home Video is sitting on hours of professionally-filmed 1972 tour footage of Elvis. Unfortunately, Sony has no control of that footage, so kudos to them for at least bringing us this grainy alternative.

My larger complaint with the set has to do with the packaging. It is beautiful, but fails miserably at its primary job – protecting the CDs and DVD. Good luck getting them out without scratching the discs and/or creasing the packaging. As it is, my DVD has a fault during the press conference, and I have no doubt that the packaging and my admittedly anxious hands are to blame.

Elvis and the music more than make up for these shortcomings, though. If you are a fan of Elvis in 1972, Prince From Another Planet is a must-have. If you are not a fan of Elvis in 1972, I do not think this release will change your opinion. That’s okay, though. Everyone is entitled to be wrong!

* * *

Coming so soon on the heels of the recent storm, this New York themed release also reminded me to think of those in New York and neighboring areas that are affected. I think it would be a great gesture, and certainly within the spirit of Elvis’ generosity, if Sony were to release a single from this set with proceeds to benefit disaster relief efforts. In any event, we fans can also help on our own by donating funds to the American Red Cross.

Is Thomas unbeatable? Elvis Today Blogger takes ET#10, stuns the train

/ TY / 4 Comments

Steve M gave it a good try, but Thomas (Elvis Today) has won Elvis Trivialities yet again. This marks two wins in a row for Thomas.

And the answer is…

Dennis Linde said the following:

“I remember hearing it on the radio for the first time. It’s the kind of thing you can’t describe. It was wonderful. […] It was a kick that an Elvis album was named after my song. The whole thing was just a blur, just one more thing I couldn’t believe and didn’t expect. It was one more fantasy coming true. Of course you’d never expect that.”

Source: Writing For The King: The Stories Of The Songwriters by Ken Sharp, FTD Books, Denmark, 2006.

Burning Love And Hits From His Movies, Volume 2Linde wrote Elvis’ 1972 hit “Burning Love,” which also appeared on the album Burning Love And Hits From His Movies (Volume 2). Elvis went on to record two other Linde compositions, “I Got A Feelin’ In My Body” (1973) and the exquisite “For The Heart” (1976).

Thomas has won an astounding five out of the ten challenges posed to date. In fact, there have only been four winners besides him. Talk about bragging rights. The trivia master maintains his position of honor among The Mystery Train’s Night Riders.

* * *

The next question could arrive at any time. Will it be in five minutes? Later today? Or not until March? Find out by subscribing to The Mystery Train using the feature below this post. Then, you’ll be emailed whenever a new post appears.

The Mystery Train’s Night Riders

  • February 4, 2012: Thomas (Elvis Today) (13:52)
  • February 3, 2012: Thomas (Elvis Today) (2:18)
  • December 21, 2011: Wellsy (2:37)
  • October 31, 2011: Thomas (Elvis Today) (17:32)
  • October 1, 2011: Anton Jeldres Tiselj (Jimmy Cool) (1:01)
  • September 9, 2011: Steve Brogdon (0:17) <— Record time
  • August 6, 2011: Thomas (Elvis Today) (2:26)
  • July 9, 2011: Thomas (Elvis Today) (5:26)
  • June 23, 2011: Fred Wolfe (0:18)
  • June 22, 2011: Ty stumps the train (no winner)

Jimmy Cool freezes the competition in Elvis Trivialities #6

/ TY / 3 Comments

Anton Jeldres Tiselj (AKA Jimmy Cool) was first to correctly answer Elvis Trivialities #6. Not only does Jimmy receive a set of bragging rights, but he also earns a spot among The Mystery Train’s Night Riders.

And the answer is…

Roy Webber is the name of the mayor who asked Elvis if he was going to sing “I Ain’t Nothing But A Hound Dog,” in the movie Elvis On Tour.

With MGM cameras rolling for the documentary, the Roanoke, Virginia, mayor met Elvis on a Woodrum Field tarmac on April 11, 1972, when the singer arrived for his appearance at the Roanoke Civic Center that evening. Webber presented him with a key to the city, which Elvis verified would fit the bank vaults. Webber also gave him a guitar-shaped floral arrangement, which Elvis proceeded to accidentally break.

Elvis and Roanoke, Virginia, mayor Roy L. Webber (1972)

Elvis and Roanoke, Virginia, mayor Roy L. Webber (1972)

Here’s the story behind what appeared on screen. Besides being mayor, Webber was also a florist. The guitar was actually made by his his company, Roy L. Webber Florist. He was in the middle of his second stint as Roanoke mayor, which began in 1968. He first served as mayor from 1949-1954. While still in office, Webber passed away in 1975 at the age of 71. However, his floral business remained open for over thirty years after that.

* * *

The next question could come along at any moment. It might be later today. It might be next month. Or, maybe not until next year. The best way to have a chance of joining the ranks of Jimmy Cool and other past winners is to subscribe to The Mystery Train using the feature below this post. That way, you’ll be notified by email as soon as a new post appears.

Congratulations again to Anton!

The Mystery Train’s Night Riders

  • October 1, 2011: Anton Jeldres Tiselj (AKA Jimmy Cool) (1:01)
  • September 9, 2011: Steve Brogdon (0:17) <— Record time
  • August 6, 2011: Thomas (2:26)
  • July 9, 2011: Thomas (5:26)
  • June 23, 2011: Fred Wolfe (0:18)
  • June 22, 2011: Ty stumps the train (no winner)

Elvis Trivialities #6

/ TY / 3 Comments

Friends, I believe it’s time for another installment of Elvis Trivialities. Your question is:

What is the name of the mayor who asked Elvis if he was going to sing “I Ain’t Nothing But A Hound Dog” in the movie Elvis On Tour?

A boxed set of bragging rights will go to the first person to post the correct answer in the comments below. Good luck!

Hey Sony, isn’t it about time for an Elvis On Tour boxed set?

/ TY / 7 Comments

I started to do this in reply to Mike Hermenet’s comment on my Trilogy post, but decided to make a new post about it instead.

Though the 40th anniversary of That’s The Way It Is in 2010 essentially went unobserved by both the main Sony label and its Follow That Dream collectors label, I’m with Mike in hoping that the 40th anniversary of 1972’s Elvis On Tour will capture Sony’s imagination in 2012.

Elvis On Tour deserves a 3-CD treatment on the main label:

Disc 1: April 9, 1972, Evening Show, Hampton Roads, VA
Disc 2: April 10, 1972, Richmond, VA
Disc 3: April 16, 1972, Greensboro, NC

And then, to complement the above, there should be an Elvis On Tour: The Rehearsals – Volume II CD on the FTD label.

Or perhaps swap out one of the concerts from the set and release it on FTD, and put the disc of newly released rehearsals on the main label boxed set instead – since some may find three concerts from the same week to be too repetitive for a mainstream release (who are these imbeciles?).

After last year’s poorly handled Blu-ray release of the film, I’m not holding my breath for Warner Brothers to release anything new as far as Elvis On Tour video footage next year. I hope I’m wrong on that account, though.

There is, at least, some hope for additional audio releases to go with those from the past.

Thanks for commenting, Mike, and for the quick post idea.

The Making of Elvis On Tour

/ TY

I unfortunately don’t have time for a real entry this morning. I hope to be back within the next two or three days. However, I wanted to take a quick moment to point you over to an incredible post on the For Elvis CD Collectors forum:

“The Making Of ‘Elvis On Tour’ MGM 1972” by Davide

It’s a fantastic compilation of information and photos pertaining to the making of Elvis On Tour, which made its Blu-ray and DVD debut last year. I used to do this kind of thing for the Star Trek movies, and I can tell you that it takes loads of time. Hats off to Davide for the great work. Thanks for sharing it with us fans! (The post indicates that it is for FECC use only, so I’ve not quoted any of the material here, but I’m assuming a link to the post on FECC itself is acceptable.)

REVIEW: Boston Garden CD (FTD)

/ TY

Elvis As Recorded At Boston Garden ‘71 CD (Follow That Dream Records, 2010)

Yesterday’s dream

You have been an Elvis fan for 15 years, through the ups and downs since 1956. When the Beatles came to Boston seven years ago, you stayed home. Now, finally, the one you were really waiting for is here.

You forget about the borrowed camera you are clutching as Elvis appears, as if out of magic.

Fans erupt in screams. You do not even realize that you are yelling, too, as Elvis grabs the microphone.

“Well, that’s all right little mama, that’s all right with you. That’s all right little mama, just any way you do,” he sings. Are you dreaming? Is this really happening?

By the middle of the show, you suddenly remember the camera. You only make it a little closer before the police and security guards push you back. You have never used this camera before, but you snap away, hoping it is close enough to preserve this moment, this feeling, forever.

Then, all too soon, it comes to an end.

Before you know it, Elvis is gone, and 39 years have passed by.

You would have never believed back then that photos you snapped in 1971 would appear in an official release of the Elvis concert you witnessed that day at Boston Garden. You even write the liner notes, filling them with your memories of this unforgettable event.

Like the idle daydream of an Elvis fan, it sounds too good to be true. Yet, this is exactly what happened for Cathi Avenell, who supplied photographs and liner notes for FTD’s latest release, Elvis As Recorded At Boston Garden ’71.

Bridging the gap

While the best concerts of the 1969-1977 Elvis era undoubtedly took place in the hot Vegas summers of 1969 and 1970, this November 1971 show stands out among the others. For this time period, it represents the earliest recording yet released of Elvis on the road in the 1970s—rather than in a Las Vegas showroom. It also serves to bridge the gap between his 1970 and 1972 live recordings.

Though this show only precedes his 1972 Vegas engagement by three months, the difference is sometimes striking. This late 1971 Elvis still has some of the 1969 and 1970 fire in him, as opposed to the subdued performances of the early 1972 engagement.

This late 1971 Elvis interacts with the crowd and still apparently enjoys himself, while the early 1972 Elvis seems to do little of either.

If anything, the Boston show often feels like a bizarre crossbreed of August 1970’s That’s The Way It Is concerts and June 1972’s Madison Square Garden shows.

Quick tour of the tracks

Track 01 “Also Sprach Zarathustra”/Track 02 “That’s All Right”: Elvis experimented with various show openers over the years, but the ultimate was “Also Sprach Zarathustra” (theme from 2001: A Space Odyssey) segueing into “That’s All Right,” his first record. Elvis really rocks “That’s All Right” here, the first sign that this will be a great show.

Track 03 “I Got A Woman/Amen”: What sometimes feels like a throwaway version of “I Got A Woman” early on eventually tightens up. “Amen” here is relatively short, not the endless repeats of later years.

Track 04 “Proud Mary”: Though it sometimes has more energy, this sounds like Elvis’ 1972 versions.

Track 05 “You Don’t Have To Say You Love Me”: I have still yet to hear a worthwhile version after 1970.

Track 06 “You’ve Lost That Lovin’ Feelin’”: Disappointing. Elvis sounds distracted throughout.

Track 07 “Polk Salad Annie”: Here is a perfect example of why As Recorded At Boston Garden ’71 is so cool, a hybrid between the 1970 and 1972 variations of “Polk Salad Annie.” While the overall vibe matches 1972, the talking portion is still present at the beginning. Elvis jokes his way through the “little story” though, perhaps an indicator of boredom that resulted in its eventual removal. After the jokes, this is a strong version of the song.

Track 08 Instrumental: You’ll recognize this one as “Comin’ Home Baby,” the instrumental often played while Elvis introduced his band and other stage performers. No introductions on this track, though, making it a rare stand-alone version of the song.

Track 09 “Love Me”: Already sounding like 1972 and beyond throwaway versions, this “Love Me” lacks the spark of the 1970 versions.

Track 10 “Heartbreak Hotel”: Speaking of throwaways, one of the worst versions of this song I have heard by Elvis. I like the bluesy take on it he first introduced in 1969, but Elvis fools around too much on this one for my taste. Maybe it was a ‘You had to be there’ moment.

Track 11 “Blue Suede Shoes”: Rushed, 1972-style. Better than “Heartbreak Hotel,” at least.

Track 12 “One Night”: Right after he sings, “Just call my name. . .,” someone with an irritating voice yells out “ELVIS!” and spoils an otherwise great version, reminiscent of 1970.

Track 13 “Hound Dog”: The typical bluesy slow start into a fast rocking ending, 1972-style. I never cared for this arrangement.

Track 14 “How Great Thou Art” (incomplete): We get about two-thirds of the song here before an artificial fade. Hard to judge without the big ending, but it probably would have been a contender for best song on the album had the performance been intact.

Track 15 Introductions (incomplete): “Comin’ Home Baby” plays again as Elvis introduces the band (joined in progress).

Track 16 “I’m Leavin’”: A true highlight, the best live version released so far. This was only six months after he recorded the song in RCA’s Nashville studio.

Track 17 “Bridge Over Troubled Water”: A stunning performance, especially considering that it sounds average at the beginning. Do not miss this one, best track on As Recorded At Boston Garden ’71.

Track 18 “I Can’t Stop Loving You”: A tad slower, but otherwise sounds like a 1972 version. Enjoyable.

Track 19 “Love Me Tender”: Annoying that this becomes a throwaway with ad-libbed lyrics, because Elvis sounds in such good voice.

Track 20 “Suspicious Minds”: By far, the biggest disappointment of the album. Perhaps the worst live version I have heard, due to jokes and distractions. Arrangement is 1972-style.

Track 21 Elvis Talks: For the third time, “Comin’ Home Baby” plays. Elvis does his traditional request to turn the house lights up so that he can better see the audience. It is fun hearing Elvis thanking the crowd in a mellow kind of way as the music goes on behind him. It almost sounds like he is about to leave on the spot but instead he launches into. . . .

Track 22 “Funny How Time Slips Away”: Like “Polk Salad Annie,” this version is interesting as a previously missing evolutionary step for the song. The softened lyric “In time, it’s all gonn’ be okay” has already replaced the original “In time, you’re gonna pay,” but the finale is still “Ain’t it surprising how time slips away.” Probably the best post-1970 version.

Track 23 “Can’t Help Falling In Love”/Track 24 Closing Vamp: “Let’s take it home,” Elvis announces, then launches into a decent 1972-style version of “Can’t Help Falling In Love,” and the show is soon over.

Final verdict

Taken as a whole, Elvis As Recorded At Boston Garden ’71 is a strong release. Concerts probably should not be picked apart song-by-song as I have done here, as it is the overall experience that counts. Elvis more than delivers a fantastic show. This is one of many concerts where I find myself wishing that I could have somehow been there.

Sound quality is impressive, considering that it is a soundboard recording. I love how FTD tied in the album art with the Elvis As Recorded At Madison Square Garden album. The liner notes and photos by Avenell give this release a personal feel and warmth.

A must-have for fellow fans of the era.