20 reasons to love Elvis after 1972

Elvis rocks the world, 1973

Elvis rocks the world, 1973

If you believe many accounts, exploring the work of Elvis Presley after 1972 is a fruitless journey through five depressing years best left forgotten. While a downward spiral of personal problems certainly affected his music, I cannot agree with the overall sentiment.

Inspired by a recent Elvis Today Blog post, I want to share 20 reasons to love Elvis after 1972.

#1 Promised Land album (recorded 1973)
Any discussion around the greatest albums of Elvis’ career should include Promised Land. Featuring that perfect Elvis blend of rock ‘n’ roll, country, and gospel, this is one of his strongest efforts. Standouts include “Promised Land” – destroying any doubts that Elvis could still rock, “Thinking About You,” “It’s Midnight,” “You Asked Me To,” and the funky “If You Talk In Your Sleep.”

#2 Aloha From Hawaii event (1973)
The magnitude of performing the first worldwide satellite broadcast by an entertainer at times seemed to overwhelm even Elvis, particularly in the first half of the main show. All too easily dismissed by some fans, the overall Aloha From Hawaii event still remains worthy of praise. Beyond the actual television special, there was also a double album that remains a classic representation of the excitement of his 1970s stage show, with standouts including “An American Trilogy,” “A Big Hunk O’ Love,” “I’ll Remember You,” “Fever,” and “What Now My Love.”

The 1988 release of The Alternate Aloha on CD revealed Elvis was much more at ease during the rehearsal/back-up concert. “Burning Love,” despite the fact that Elvis misses some of the words, and “Suspicious Minds” exceed their counterparts on the real show.

Elvis Presley Enterprise’s definitive 2-DVD set Aloha From Hawaii Deluxe Edition (2004) captures both shows in terrific audio and video quality, as well as other footage shot at that time. Though he did not pass away until over four years later, for the mainstream public, Aloha From Hawaii would prove to be Elvis’ last hurrah.

#3 Moody Blue album (1974, 1976-1977)
Moody Blue is an album recorded at Elvis’ home, Graceland, and at Elvis’ second home, on stage in front of his fans. Of the four live numbers, the strongest is a haunting version of “Unchained Melody,” recorded on April 24, 1977, in Ann Arbor, Michigan. Many of the Graceland recordings are also stellar, including “Pledging My Love,” “Way Down,” “Moody Blue,” “She Thinks I Still Care,” and “He’ll Have To Go.” As the final album released before his death, Moody Blue allowed Elvis to finish in style.

#4 “Your Love’s Been A Long Time Coming,” Take 10 (1973)
“Your Love’s Been A Long Time Coming,” which expresses a father’s love for a newborn, never stood out to me until I heard this alternate take, first released on 2002’s Today, Tomorrow & Forever boxed set.

#5 Bringing It Back/Pieces Of My Life single (1975)
Much like “Always On My Mind” backed with “Separate Ways” from 1972, 1975’s “Bringing It Back” backed with “Pieces Of My Life” evokes a complete story on one record. Though the music may not have been as groundbreaking, Elvis recorded songs of a much more personal nature in the 1970s compared to other times of his career. It’s not flashy jumpsuits that draw people to this time, but the sheer honesty of the music.

#6 My Way/America The Beautiful single (1977/1975)
“My Way” backed with “America The Beautiful” is the first Elvis record I can specifically remember playing. Recorded just weeks before his death for the Elvis In Concert television special at a show in Rapid City, South Dakota, “My Way” worked effectively as a farewell of sorts, while 1975’s “America The Beautiful,” recorded live in Las Vegas, spoke to his love of the United States and God. Though rock ‘n’ roll is not to be found on it, this record sums up Elvis Presley about as well as any other contender.

#7 “Pledging My Love,” Take 3 (1976)
One of the pleasant surprises of 1997’s Platinum: A Life In Music was take 3 of “Pledging My Love,” recorded at Graceland. Devoid of subsequent production overdubs, this works as a kind of “stripped-down” version.

#8 “Way Down,” Take 2A (1976)
Also from Platinum: A Life In Music, take 2A of “Way Down” is strong for the same reasons as “Pledging My Love” – a stripped-down sound reminiscent of earlier times. The extra band riff near the end is a delight and should have been included on the master.

#9 From Elvis Presley Boulevard, Memphis, Tennessee album (1976)
Recorded at Graceland, From Elvis Presley Boulevard is the saddest album released by Elvis. It is also his most honest. This one gives us a view into the man living in the famous mansion on Elvis Presley Boulevard. Overblown production and all, From Elvis Presley Boulevard is a beautiful and moving album. Highlights include “For The Heart,” “Hurt,” “Never Again,” and “Love Coming Down.”

#10 Good Times album (1973)
Unlike Promised Land, Moody Blue, and From Elvis Presley Boulevard, Good Times is unable to take a spot among the best albums of his career due to a few clunkers that weigh it down. However, “Good Time Charlie’s Got The Blues,” “Lovin’ Arms,” “I’ve Got A Thing About You, Baby,” and “My Boy” are standouts on this worthy album.

#11 “Where No One Stands Alone,” Live Recording (1977)
Whether we are talking 1953, 1977, or anywhere in between, Elvis Presley was always full of surprises. “Where No One Stands Alone,” released on 2007’s Unchained Melody, is one of his most incredible performances. Accompanying himself on piano, he sings the song on stage for what is apparently the only time. This live version from a February 16, 1977, concert in Montgomery, Alabama, exceeds his 1966 original.

#12 “Good Time Charlie’s Got The Blues,” Take 7 (1973)
Part of appreciating Elvis involves understanding that he never took himself as seriously as many others do. This broken up take and the resulting jokes after the fact highlight some of his behind-the-scenes humor. First released on Follow That Dream’s 2009 edition of Good Times.

#13 “She Thinks I Still Care,” Take 2B (1976)
“She Thinks I Still Care” is another alternate from the Graceland sessions. Released on 1995’s Walk A Mile In My Shoes, Take 2B takes the song at a brisker pace and works even better than the master.

#14 “I’m So Lonesome I Could Cry,” Home Recording (1973)
Though “I’m So Lonesome I Could Cry” seemed almost like album-filler on Aloha From Hawaii, Elvis sings a superior version with only himself on acoustic guitar several months later in private. Fortunately, someone rolled a tape recorder. This is a particularly poignant performance when you consider that it takes place only weeks after his divorce from Priscilla is finalized. This one can be found on 2005’s Elvis By The Presleys.

#15 Elvis Recorded Live On Stage In Memphis album (1974)
Yes, his third live album in three years had some repetitive material, but “How Great Thou Art,” “Lawdy, Miss Clawdy,” and “My Baby Left Me” help to make this one special, not to mention that it was recorded in Memphis. This version of “How Great Thou Art” earned Elvis his third and final Grammy.

#16 Raised On Rock album (1973)
Raised On Rock receives a lot of criticism, yet contains some strong tracks. Two of the best are “For Ol’ Times Sake” and “Sweet Angeline.”

#17 “I Really Don’t Want To Know,” Live Recording (1977)
Like “My Way,” this one was recorded in Rapid City on June 21, 1977, for the Elvis In Concert special, which aired posthumously. This is a great, though all too short, live version of a song he first recorded in 1970 (Elvis Country).

#18 “Reconsider Baby,” Live Recording (1977)
Elvis could always draw inspiration from the blues, even near the end. Recorded February 21, 1977, this is from the Unchained Melody album. Though Elvis formally recorded the song in 1960 for Elvis Is Back, he was playing around with this one at least as far back as 1956.

#19 “Shake A Hand,” Take 2 (1975)
2002’s 6363 Sunset included this stellar alternate of “Shake A Hand,” recorded at RCA’s Hollywood studio.

#20 “Bridge Over Troubled Water,” Live Recording (1977)
On April 29, 1977, in Duluth, Minnesotta, Elvis knocked out a great rendition of “Bridge Over Troubled Water,” though, like many 1977 recordings, it can be a painful listen. Featured on Spring Tours 77.

* * *

Elvis never claimed to be anything special. It seems, at times, people tear him down for being a flawed man rather than the perfect god they wrongly imagined him to be.

“I’m not a king, I’m just a man,” he sang in 1971’s “Until It’s Time For You To Go,” as if pleading for understanding. No one listened.

It turns out that our hero was only human, just like us. I think that makes his many accomplishments shine that much brighter.


October 23, 2011, Update:
In the comments, Joe mentioned that he decided to try all of the songs mentioned above as a playlist. I liked his idea, so here’s what I came up with.

  • For The Heart (From Elvis Presley Boulevard, Memphis, Tennessee)
  • You Asked Me To (Promised Land)
  • Bringing It Back (Today)
  • Love Coming Down (From Elvis Presley Boulevard, Memphis, Tennessee)
  • Lovin’ Arms (Good Times)
  • Pledging My Love (Moody Blue)
  • I’ve Got A Thing About You, Baby (Good Times)
  • For Ol’ Times Sake (Raised On Rock)
  • She Thinks I Still Care [Alternate] (Walk A Mile In My Shoes)
  • Good Time Charlie’s Got The Blues (Good Times)
  • Burning Love [Live] (The Alternate Aloha)
  • What Now My Love [Live] (Aloha From Hawaii Via Satellite)
  • Bridge Over Troubled Water [Live] (Spring Tours 77)
  • A Big Hunk O’ Love [Live] (Aloha From Hawaii Via Satellite)
  • Unchained Melody [Live] (Moody Blue)
  • An American Trilogy [Live] (Aloha From Hawaii Via Satellite)
  • Promised Land (Promised Land)
  • Never Again (From Elvis Presley Boulevard, Memphis, Tennessee)
  • It’s Midnight (Promised Land)
  • Way Down [Alternate] (A Life In Music)
  • He’ll Have To Go (Moody Blue)
  • If You Talk In Your Sleep (Promised Land)
  • Moody Blue (Moody Blue)
  • Your Love’s Been A Long Time Coming [Alternate] (Today, Tomorrow & Forever)
  • My Boy (Good Times)
  • I’ll Remember You [Live] (Aloha From Hawaii Via Satellite)
  • Fever [Live] (Aloha From Hawaii Via Satellite)
  • Lawdy, Miss Clawdy [Live] (Elvis Recorded Live On Stage In Memphis)
  • Suspicious Minds [Live] (The Alternate Aloha)
  • America The Beautiful [Live] (Elvis Aron Presley)
  • How Great Thou Art [Live] (Elvis Recorded Live On Stage In Memphis)
  • Way Down (Moody Blue)
  • Pieces Of My Life (Today)
  • Hurt (From Elvis Presley Boulevard, Memphis, Tennessee)
  • Sweet Angeline (Raised On Rock)
  • Thinking About You (Promised Land)
  • Good Time Charlie’s Got The Blues [Outtake] (Good Times [2009 FTD Edition])
  • I’m So Lonesome I Could Cry [Informal] (Elvis By The Presleys)
  • Pledging My Love [Alternate] (A Life In Music)
  • She Thinks I Still Care (Moody Blue)
  • Shake A Hand [Alternate] (6363 Sunset)
  • Reconsider Baby [Live] (Unchained Melody)
  • My Baby Left Me [Live] (Elvis Recorded Live On Stage In Memphis)
  • I Really Don’t Want To Know [Live] (Elvis In Concert)
  • Where No One Stands Alone [Live] (Unchained Melody)
  • My Way [Live] (Elvis Aron Presley)

Check out a review of Young Man With The Big Beat

Random Ntrygg takes the time to comment over here on The Mystery Train quite often, which I appreciate. So, today, I want to point you all over to her blog, where she has a well-written review of Young Man With The Big Beat: The Complete ’56 Elvis Presley Masters. She calls the new 5-disc set  a “worthy addition to any Elvis fan’s collection and a solid entry for general music fans.” Check out Random’s review here.

Elvis Talks: Richmond, Virginia, and the Mosque Theater

Here’s a piece from a March 24, 1956, Elvis interview that took place at the Warwick Hotel in New York City. Elvis mentions one of his shows in Richmond, Virginia:

Reporter: “What’s your biggest kick? I mean, what’s been your really highest point of excitement since you’ve been…you know, the one peak? […] I’m thinking of, you know, one night that really made you feel…”

Elvis: “One night… well, one particular night was when in Richmond, Virginia, […] whoever it was booked me […] came on stage in the middle of my act and presented me with this scroll, and all these hundreds of names on it that were there. And it read in the scroll that I had drawn the biggest crowd that had ever been to Richmond before in that particular auditorium, the Mosque Theater. It was the biggest crowd that’d ever been in the auditorium before.”

This reporter (Robert Carlton Brown) treats Elvis with more respect than a couple of the others I’ve posted recently. Of course, Elvis was not nearly as controversial in March 1956 as he was in August 1956, the time of the other two interviews I mentioned.

Like the others, you can hear this entire interview on Young Man With The Big Beat: The Complete ’56 Elvis Presley Masters, available now on Sony CDs and Digital.

More unedited Elvis

Here’s another snippet from a 1956 Elvis interview, this one from August 6 for TV Guide:

Reporter (reading from a Miami Herald article by Herb Rau): “‘Elvis can’t sing, can’t play the guitar.’ Can you play the guitar?”

Elvis: “No, and I can’t sing, either, but somebody likes it.”

Reporter: “‘And he can’t dance.’”

Elvis: “No, can’t dance. I can’t do nothing but read Herb Rau’s article in the newspaper. That’s all I can do.”

Reporter: “‘Yet two thousand idiots per show,’ to continue the quotation, ‘yelp every time he opens his mouth, plucks a guitar string, or shakes his pelvis like any striptease babe in town.’ Do you shake your pelvis like any striptease babe in town?”

Elvis: “Well, he should know. I guess that’s where he hangs around.”

Of all the ones I’ve heard, this is probably my favorite Elvis interview. Not so much for the clueless reporter, obviously, but for Elvis’ answers. You can hear nearly the whole interview on Young Man With The Big Beat: The Complete ’56 Elvis Presley Masters, available now on Sony CDs and Digital.

48 Hours To Memphis: Recorded Live On Stage In Richmond available for pre-order

Available now for pre-order is the anticipated-turned-controversial CD 48 Hours To Memphis: Recorded Live On Stage In Richmond, Virginia — March 18, 1974.

The North America/Worldwide version of Elvis Presley Enterprise’s ShopElvis.com reports that the CD should arrive to US addresses on or around October 31. I know what’s going to be cranked up at my house Halloween night!

Direct link: Pre-Order Elvis Forty Eight Hours to Memphis FTD CD (Mono) — ShopElvis.com

As with other releases on Sony’s Follow That Dream collectors label for Elvis fans, the only physical store in the US authorized to sell the CD is Good Rockin’ Tonight, a Graceland gift shop in Memphis.

Online, FTD CDs can be obtained from a variety of other Elvis stores.

In the 1970s, Elvis performed live on four dates at the Richmond Coliseum, spanning 1972 through 1976. The March 18, 1974, concert was only six days after his March 12 appearance there. The tour swung back through Richmond due to a rapid sell out of the earlier show.

Elvis fans around the world highly anticipated the CD after revelations several weeks ago that it would feature a previously unknown multi-track recording of the event.

However, a more recent announcement that the source of the CD is a mono tape thought to have been mixed down from the apparently lost multi-track has made the release controversial and anti-climactic for some. As for me, I’m still excited about it.

48 Hours To Memphis (concept cover art)

The 48 Hours To Memphis title reflects that Elvis closed out his tour two days later with a concert in Memphis. An edited version of the Memphis show became the July 1974 album Elvis Recorded Live On Stage In Memphis. A song from that album earned Elvis his third and final Grammy Award.

48 Hours To Memphis marks the first official audio release of an Elvis concert in Richmond. Though MGM filmed a 1972 concert at the Richmond Coliseum for the movie Elvis On Tour, it used only a tiny portion of it in the documentary. Warner Brothers has never released the remaining Richmond footage, nor has Sony made any plans as of yet to release the audio. Elvis On Tour instead prominently featured a concert in Hampton Roads, Virginia.


From ShopElvis.com, here is the full product description:

Please note: Contrary to previous informal information given, please be advised that this is a MONO release.

Derived from what must have been a full professional 16-track multi track recording, the sound is absolutely great, and Elvis is in top form. The booklet is full of great pictures from the actual show and informative notes. The CD comes in a 7″ digi format with a 16 page booklet.

Recorded Live on stage in Richmond, Virginia. March 18, 1974″

Tracklisting

Live At The Richmond Coliseum: March 18, 1974
01) Also Sprach Zarathustra/
02) See See Rider
03) I Got A Woman/Amen [edited with Memphis, March 20, 1974]
04) Love Me
05) Tryin’ To Get To You
06) All Shook Up
07) Steamroller Blues
08) Teddy Bear/Don’t Be Cruel
09) Love Me Tender
10) Long Tall Sally/Whole Lotta Shakin’ Goin’ On/Your Mama Don’t Dance/Flip, Flop & Fly/Jailhouse Rock/Hound Dog
11) Fever
12) Polk Salad Annie
13) Why Me
14) Suspicious Minds
15) Introductions By Elvis
16) I Can’t Stop Loving You
17) Help Me
18) An American Trilogy
19) Let Me Be There
20) Funny How Time Slips Away
21) Can’t Help Falling In Love/
22) Closing Vamp

Bonus Songs
23) Sweet Caroline [Tulsa, March 1, 1974]
24) Johnny B. Goode [Memphis, March 17, 1974]
25) That’s All Right [Memphis, March 17, 1974]

Elvis, unedited

By 1958, Elvis had become more reserved when talking with the press. Not so in 1956, the year he rose to international fame. Here’s a refreshing example from August 29 of that year:

Reporter: “When did you first start singing…do you call it ‘singing,’ the stuff you do?”

Elvis: “Do I call it ‘singing?'”

Reporter: “Yeah, that is what you call it, right?”

Elvis: “Well, I’ve sold five million records. Somebody calls it ‘singing.'”

Tell him, E!

Hear the complete interview on Young Man With The Big Beat: The Complete ’56 Elvis Presley Masters, available now on Sony CDs and Digital.

Experience Elvis at full throttle in Young Man With The Big Beat (UPDATE: Individual songs available for purchase on Amazon)

Available today from Sony’s RCA/Legacy label, the five-CD boxed set Young Man With The Big Beat features a ton of 1956 material. For die-hard fans, the crown jewel of the set is the first-ever release of Elvis’ December 15, 1956, concert that marked the singer’s final appearance on the Louisiana Hayride radio program.

Also released today is the Sony Legacy edition of his debut album, Elvis Presley, which is paired with his second album, Elvis.

Note that this set is also available for purchase in digital format (audio only) at a substantially reduced price for the full set.

UPDATE: Possibly along with others, Amazon US is offering the opportunity to buy individual tracks in digital format. This means fans who only want the Hayride material do not have to purchase the entire set. Thank you to Sony for this consideration.

Below is a full break-down of the Young Man With The Big Beat set, adapted from Sony’s press release and marketing material.

Disc 1: Studio Recordings

17 tracks recorded in New York, Nashville, and Hollywood, starting with the 12 songs on the debut LP, Elvis Presley (‘1254’), followed by non-LP single A-sides and B-sides, and EP tracks.

  1. Blue Suede Shoes
  2. I’m Counting On You
  3. I Got A Woman
  4. One-Sided Love Affair
  5. I Love You Because
  6. Just Because
  7. Tutti Frutti
  8. Trying To Get To You
  9. I’m Gonna Sit Right Down And Cry (Over You)
  10. I’ll Never Let You Go (Little Darlin’)
  11. Blue Moon
  12. Money Honey
  13. Heartbreak Hotel
  14. I Was The One
  15. My Baby Left Me
  16. Lawdy, Miss Clawdy
  17. Shake, Rattle And Roll

Disc 2: Studio Recordings

22 tracks recorded in New York, Nashville, and Memphis, starting with the 12 songs on the second LP, Elvis (‘1382’), followed by non-LP single A-sides and B-sides, and EP tracks.

  1. Rip It Up
  2. Love Me
  3. When My Blue Moon Turns To Gold Again
  4. Long Tall Sally
  5. First In Line
  6. Paralyzed
  7. So Glad You’re Mine
  8. Old Shep
  9. Ready Teddy
  10. Anyplace Is Paradise
  11. How’s The World Treating You
  12. How Do You Think I Feel
  13. I Want You, I Need You, I Love You
  14. Hound Dog
  15. Don’t Be Cruel
  16. Any Way You Want Me (That’s How I Will Be)
  17. Too Much
  18. Playing For Keeps
  19. Love Me Tender
  20. Let Me
  21. Poor Boy
  22. We’re Gonna Move

Disc 3: Live Recordings

Rare remasters of shows at the Frontier Hotel in Las Vegas (four songs); Little Rock, Arkansas (seven songs); and a recently discovered, previously unreleased concert in Shreveport, Louisiana, in December (ten songs).

Recorded Live At The Venus Room, Frontier Hotel, Las Vegas, May 6

1.  Heartbreak Hotel
2.  Long Tall Sally
3.  Blue Suede Shoes
4.  Money Honey

Recorded Live At The Robinson Memorial Auditorium, Little Rock, Arkansas, May 16

5.  Heartbreak Hotel
6.  Long Tall Sally
7.  I Was The One
8.  Money Honey
9.  I Got A Woman
10. Blue Suede Shoes
11. Hound Dog

Recorded Live At The Hirsch Youth Center, Louisiana Fairgrounds, Shreveport, Louisiana, December 15

12. Heartbreak Hotel
13. Long Tall Sally
14. I Was The One
15. Love Me Tender
16. Don’t Be Cruel
17. Love Me
18. I Got A Woman
19. When My Blue Moon Turns To Gold Again
20. Paralyzed
21. Hound Dog

Disc 4: Outtakes

Four outtakes from the first historic RCA session in January (“I Got A Woman,” “Heartbreak Hotel,” “I’m Counting On You,” “I Was The One”), segueing into the complete session of February 3rd (11 takes of “Lawdy, Miss Clawdy” and 12 takes of “Shake, Rattle And Roll”); plus the first of the interviews – the complete Warwick Hotel (NYC) interview by Robert Brown in March.

  1. I Got A Woman – take unknown
  2. Heartbreak Hotel – take 06
  3. I’m Counting On You – take 13
  4. I Was The One – take 02
  5. Lawdy, Miss Clawdy – take 01
  6. Lawdy, Miss Clawdy – take 03
  7. Lawdy, Miss Clawdy – take 04
  8. Lawdy, Miss Clawdy – take 05
  9. Lawdy, Miss Clawdy – take 06
  10. Lawdy, Miss Clawdy – takes 07, 08, 09
  11. Lawdy, Miss Clawdy – take 10 (master)
  12. Lawdy, Miss Clawdy – takes 11, 12
  13. Shake, Rattle And Roll – takes 01, 02
  14. Shake, Rattle And Roll – takes 03, 05, 06, 07
  15. Shake, Rattle And Roll – take 08
  16. Shake, Rattle And Roll – takes 09, 10, 11, 12, 12 (undubbed master)
  17. The Complete Warwick Hotel Interview

Disc 5: Interviews

The Paul Wilder interview, plus his interviews with Colonel Parker and Oscar Davis; plus two segments of Elvis’ rarely heard candid monologue, “The Truth About Me,” and two advertisements for RCA Victrolas.

  1. The Complete TV Guide Presents Elvis interview
  2. Colonel Parker Interview
  3. The Truth About Me
  4. The Truth About Me Interview
  5. Victrola Radio ad 1
  6. Victrola Radio ad 2

Book

The focal point of the book, spread across its 80 pages, will be a unique, meticulously-researched, day-by-day chronology of Elvis’ iconic year, including every concert, every recording date, every television appearance, personal events in Elvis’ life, and much more. A dazzling photo array of memorabilia will illustrate each day and entry. Concert ticket stubs, RCA memoranda, letters from fans, postcards from Elvis to his family, tour itineraries, magazine covers and articles, trade charts, fan club relics, RCA publicity photos, concert photos, candid photos, and more will be a feast for the eyes and the imagination as 1956 unfolds.

Other Items

Will also include five rare 8×10 photographs, five original-size poster replicas, and a replica concert ticket stub.