Keeping the Footage. Losing the Baggage.

Elvis Presley in 1970, from the EPiC: Elvis Presley in Concert trailer - 2026, NEON

Elvis Presley in 1970, from the EPiC: Elvis Presley in Concert trailer (2026, NEON)

When I watched the full trailer that NEON dropped back on January 13 for Baz Luhrmann’s EPiC: Elvis Presley in Concert, I realized a couple of things.

One is that I’ve been writing about this darned lost footage for 35 years. This brief newsletter article about Elvis: That’s The Way It Is and Elvis On Tour outtakes was actually one of the first things I ever wrote about Elvis.

You see, I had read about the possibility of such footage existing in one of my brother’s old Elvis magazines from 1987. Naturally, I wrote to Graceland about it. Because that’s what you do.

And Graceland was nice enough in 1991 to provide the few available details, which I incorporated into my article the following year.

The second realization is that I’ve been carrying around almost as many years’ worth of baggage over this lost footage.

Oh, the mismanagement! Oh, the falsehoods! Oh, the missed opportunities!

As I watched the brilliant preview trailer for EPiC, I finally accepted that it’s time to let all of that go. I don’t want to weigh EPiC down with my lost footage baggage.

Writing is a catharsis for me, so I’m going to air out this baggage one last time, and then it’s gone forever. And if you see me mention it again, friends, I want you to call me out on it.

THAT'S THE WAY IT IS home video cover (1988)

ELVIS: THAT’S THE WAY IT IS home video cover (1988)

1992

Event: Elvis: The Lost Performances arrives on VHS and Laserdisc. This compilation of outtakes from Elvis: That’s The Way It Is and Elvis On Tour was just about perfect for its time. It primarily focused on the songs that mattered to Elvis, not necessarily his biggest hits. Songs were presented in full. With no narration in between, the music was allowed to speak for itself.

THE LOST PERFORMANCES home video cover (1992)

ELVIS: THE LOST PERFORMANCES home video cover (1992)

Associated Baggage: The release of Turner Home Entertainment’s Elvis: The Lost Performances was initially delayed by a year or more due to the 1990 home media release of Buena Vista’s Elvis: The Great Performances. Though they played nice in terms of release dates, I guess no one noticed that a mere four letters distinguish one title from the other. Among casual fans and, most assuredly, the general public, this was potential confusion. The Lost Performances cover art also used a reverse image of the same underlying Elvis: That’s The Way It Is pose as the 1988 VHS release of that film. More potential confusion. To top it off, one month before Elvis: The Lost Performances hits shelves, CBS airs, get this, a television version of Elvis: The Great Performances. I guess that whole playing nice in the marketplace thing didn’t work both ways.

1997

Event: Among other Elvis titles, Turner/MGM re-releases Elvis: That’s The Way It Is, Elvis On Tour, and Elvis: The Lost Performances on home video.

Associated Baggage: All of the “new” VHS videos are in pan & scan to fit square televisions of the day, though many consumers, including this particular Elvis fan, were educated enough by this time to know that widescreen/letterboxed was a superior format for such movies in order not to lose large portions of the image. While Elvis: That’s The Way It Is earns a DVD release at this time as well that contains a widescreen option in this new format, there are inexplicably no DVDs for Elvis On Tour or Elvis: The Lost Performances.

2001

Event: And here’s the big one. If you follow this kind of stuff, you knew it was coming. Warner Brothers releases Elvis: That’s The Way It Is – Special Edition on home video. The 2000 film uses some of the once-lost footage from Elvis: The Lost Performances, other lost footage, and some of the original footage as part of an entirely new cut of the classic documentary.

2001 VHS and DVD editions of THAT'S THE WAY IT IS: SPECIAL EDITION

2001 VHS and DVD editions of ELVIS: THAT’S THE WAY IT IS – SPECIAL EDITION

Associated Baggage
Where to start? First, the name. The fact that this is almost an entirely new movie is not at all obvious by adding “Special Edition” to the title of the original documentary that many Elvis fans already owned by this point.

Next, the day before the VHS version goes on sale, Turner Classic Movies airs Elvis: That’s The Way It Is – Special Edition on cable television. As long as you had the channel, you could record it with your VCR for free. You even get a few bonus songs after the movie not included on the retail VHS.

Ah, but the DVD! It will have all of those bonus songs and even more as special features, right? Well, it was supposed to, but someone apparently didn’t obtain all of the proper clearances. So there was a delay as the DVDs were re-made to exclude all of the bonus songs. Oh, and then just as they are about to hit store shelves (and possibly a few do), someone realizes that the DVD case still has references to those bonus songs that aren’t actually on the DVD. So, another delay while the cases are re-made. Finally, months after the VHS, the DVD comes out. Not with a bang, but with a whimper.

Oh, and Elvis: That’s The Way It Is – Special Edition uses that same underlying Elvis image as the 1997 & 1992 releases of Elvis: The Lost Performances and the 1988 release of Elvis: That’s The Way It Is.

Apparently, Warner is disappointed by the sales of the Special Edition (gee, I wonder why sales would suffer), so it cancels a similar project around Elvis On Tour.

But wait, there’s even more baggage here. The release of Elvis: That’s The Way It Is – Special Edition and its use of some of the same songs seems to have buried Elvis: The Lost Performances, which Warner never releases again.

2007

Event: A 2-DVD re-release of That’s The Way It Is: Special Edition that includes the original film and some of the excised bonus features from 2001 on the second disc.

Associated Baggage: The long-awaited bonus features were in embarrassing video quality for a mainstream release, as apparently a backup videotape copy was used when the master tapes from 2001 could not be found. While definitely watchable, the 1970 theatrical cut was also in lesser condition relative to the 2001 edit. And I’m not even going to mention what underlying cover image they decided to go with. Because even if you don’t know, you already know.

2010

Event: Elvis On Tour finally gets a DVD release! And. . . can this be. . . a Blu-ray release! It almost sounds too good to be true.

Associated Baggage: Well, it turns out that it almost is. At the last moment, Warner reveals that the opening song that plays over the credits, a rehearsal of “Johnny B. Goode,” ran into issues with obtaining clearance. From most accounts, it seemed out of their hands this time. Fair enough. What do they do? They replace it with a lacklustre live version of “Don’t Be Cruel.” Oh. . . and just to really give me nightmares, they also edit in a poor loop of the song since it wasn’t long enough to cover the opening credits sequences. So you get to hear Elvis’ “Please let’s forget the past, before I kick your–” joke not once, but twice, ladies and gentlemen. And, more relevant to this post, no bonus features. Nothing.

2014

Event: Elvis: That’s The Way It Is gets a Blu-ray release! 2001 bonus songs master tapes located and to be included!

Associated Baggage: Well, here’s what actually happened back in 2014 if you bought the Elvis: That’s The Way It Is Blu-ray. You did indeed get a Blu-ray of Elvis: That’s The Way It Is – Special Edition. The promised improved quality bonus songs? I wish I could say otherwise, but not so much. I really don’t know what they were thinking. As for the original Elvis: That’s The Way It Is movie? It is included as a second DVD, using the same master as way back in 1997. But hey, at least the art department was on top of things. When they envisioned what the cover art for this first-ever That’s The Way It Is Blu-ray should be, a certain underlying image immediately came to mind. . . .

2014 Blu-ray edition of THAT'S THE WAY IT IS: SPECIAL EDITION

2014 Blu-ray edition of ELVIS: THAT’S THE WAY IT IS – SPECIAL EDITION

2026: Letting it go

We could all probably think of more blunders around the handling of the lost and not-so-lost footage originally captured for Elvis: That’s The Way It Is and Elvis On Tour, but it is indeed time to let it all go.

So, here’s what I propose. That abandoned salt mine in Kansas that people keep finding this lost footage in? Let’s lock our baggage in there. Gone. Forever.


Did I mention the full EPiC trailer is brilliant? Surely, you have watched by now? If not, you better check it out over on YouTube.

Wow.

Just wow. That’s all I’ve got.

Around the same time as the trailer, NEON also released a new poster. I mean, even if EPiC somehow turns out to be a dud, that is one awesome Elvis poster that I had to have!

Being the understanding woman that she is, my bride ordered one for me. When the package ran into shipping issues due to the recent weather events, I heard her laughing as she looked at the tracking image.

Wondering what gave her that reaction, I took a look. The tracking uses a close-up of the poster, so it looks like Elvis’ face on the map.

Sure, that’s mildly humorous, but I didn’t see why she thought it was so funny.

Then I looked again at the map.

That’s right, Elvis is stuck in Memphis!

EPiC hits IMAX theaters worldwide on February 20, with early access showings beginning on February 18, and then expands to wide release on February 27 globally.

Happy Elvis Day 2012

Elvis rehearsing in 1970

Today is the 77th anniversary of the birth of Elvis Presley. Celebrate it well!

* * *

Time sure does fly. It was back to work last week, and now it will be back to school this week. If all goes well, this should be my last semester. Though I have enjoyed the experience, it will be nice to have the time back to do other things – such as write.

I did manage to find some time to read during my winter break, including one book about Elvis that I hope to review soon.

I have also started the process of cleaning out a spare bedroom, and I found something fun in there yesterday – an archive of newsletters that I created for an official Elvis fan club that I ran from 1992-1997. I was 16-years-old when I started that fan club on January 8, 1992.

As I’ve said before, the “club” was really just an excuse to create a newsletter about Elvis. That means I’ve now been writing about him for twenty years, unbelievable.

I released the first issue of that newsletter in March 1992, so I’m planning to share some of that content with you beginning in March of this year. It is funny to see how my writing and opinions have changed (or not) since that time.

* * *

Have a fantastic Elvis Day, everyone!

Elvis – thanks for the music.

The Elvis Adventure Is Just Beginning

Elvis Presley in 1968

Elvis Presley in 1968

Have you ever noticed that the first post on a new blog is almost always boring? Let’s get the mundane one out of the way.

Welcome to The Mystery Train, an Elvis Presley blog. I’ve been toying with the idea of starting an Elvis blog for about two years now. In the meantime, I’ve been using sporadic posts on my mostly sci-fi blog as an outlet for writing about Elvis. In addition, I’ve guest blogged over at Elvis Today and ElvisBlog.

In fact, it was a recent post by Elvis Today’s Thomas that encouraged me to finally take the plunge and start an all Elvis blog of my own. Though I will no doubt decrease the number of posts about Elvis on my sci-fi blog, I will continue being available for guest stints on other Elvis blogs.

I actually started writing about Elvis nearly twenty years ago. From 1992 to 1997, I was the president of an official Elvis Presley fan club. I’m not sure how many there are now, but there were about 450 official clubs back then. Mine was only a “club” in the loosest sense of the term, though.

At its peak, my Elvis fan club had maybe fifty concurrent members. During all of those years, we never held a single meeting! In reality, the club existed solely as an excuse for me to create and write a quarterly newsletter about Elvis (kids, we had to use an archaic delivery system back then – consisting of items called “paper,” “envelopes,” and “postage stamps”).

I was 16 when I started that club, certainly one of the younger fan club presidents at that particular time. It was not exactly popular for 16-year-olds to like Elvis back then. While I may have been young, I had grown up listening to Elvis and had a lot to say about him.

These days, I am rapidly (and I do mean rapidly) approaching 35. All those years have gone by, yet Elvis is still there providing the soundtrack to my life – and I still have a lot to say about him. That’s why I’m here.

As for you, hold on tight, this train’s leaving the station! Enjoy your ride.

 

June 1977: The Final Concert Tour [The Elvis Beat newsletter]

I was 22 when I wrote this review back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter. Though I did not formally dissolve the club until 2000, it went on hiatus after I released this issue. A couple of months later, on August 21, 1997, I started my first website – Star Trek: The Film Frontier, devoted to the first six Trek movies. I added a blog element to The Film Frontier in 2006 and, before I knew it, I was writing about Elvis again. In many ways, I have gone full circle for this path eventually led to The Mystery Train.


“We’re here to entertain you and to make you happy. So, just enjoy yourself, and leave the driving to us,” said Elvis to an adoring crowd in Rapid City, South Dakota on June 21, 1977. Elvis had been doing just that for over 20 years – entertaining his fans and making them happy.

What was to be Elvis’ last concert tour began on June 17, 1977, in Springfield, Missouri. The tour was a short one compared to many of his others, with concerts in ten cities in ten days.

The following day, the tour moved to Kansas City. The June 19 appearance in Omaha, Nebraska was taped for a CBS television special set to air that fall. Only three songs were used from the Omaha performance in the Elvis In Concert special, which was broadcast posthumously.

“If you think I’m nervous,” Elvis said quietly on stage, “you’re right.”

Many fans were interviewed on camera for Elvis In Concert, which is not officially available on video. Perhaps the most genuine in his responses was a young black man who said:

I give Elvis a lot of credit for bringing blues into rock and country. He’s the first guy to ever do that, and I admire him for it. He has a lot of courage. He’s my number one singer of all time. I hope to name my kid after him someday. . . .

I just love the guy. I know that sounds kinda weird, but I just love the guy, and I wish him many years of success. . . .

I have about four of his gospel albums, and my favorite is How Great Thou Art. It makes you feel good when he sings it. It brings tears to your eyes.

The next day, Elvis performed in Lincoln, Nebraska. CBS also taped his concert in Rapid City on June 21. It was from this performance that most of the songs in the Elvis In Concert special were drawn.

“If you haven’t guessed by now, you’re on television,” Elvis said with a characteristic grin to the audience. “Don’t let the lights and cameras throw you, and try not to throw the lights and cameras if you can help it.”

Elvis In Concert was Elvis’ first television special in four years after the blockbuster Elvis: Aloha From Hawaii. The contrast in his appearance between the two shows is striking.

“He was obviously way overweight,” said Elvis’ friend Joe Esposito a few years after the singer’s death. “Despite his age, only 42, we knew he was in bad health. It was rough for him, but Elvis accepted his appearance, and so did his fans.”

Although he did look ill, that special Elvis smile was still there. The love and magic was still there. He was Elvis. Through all the ups and downs, the fans always loved him and still do.

With CBS’s taping complete for the special, the concert tour continued through Sioux Falls, Des Moines, Madison, and Cincinnati over the next several days.

The Market Square Arena in Indianapolis hosted Elvis on June 26 for the last stop of the tour. The concert would prove to be his last before dying six weeks later at his home, Graceland.

For the last performance of his life, Elvis sang:

  • See See Rider
  • I Got A Woman/Amen
  • Love Me
  • Fairytale
  • You Gave Me A Mountain
  • Jailhouse Rock
  • It’s Now Or Never
  • Little Sister
  • Teddy Bear/Don’t Be Cruel
  • Release Me
  • I Can’t Stop Loving You
  • Bridge Over Troubled Water
  • Early Morning Rain
  • What’d I Say
  • Johnny B. Goode
  • I Really Don’t Want To Know
  • Hurt
  • Hound Dog
  • Can’t Help Falling In Love

Joe Esposito said it best, “Just six weeks before his death, he still poured his heart out. To the end, Elvis’ greatest gift – his incredible voice – never failed him.”

When all is said and done, after all the books have been written, and when all the tales have been spun, the only question that will be important is, “What did Elvis do?”

He made people happy.

That was his life.


Note: Years later, portions of the above circulated in bootleg promotional material without permission. It is reproduced here in its original context.

Review: Elvis rocks the Garden in new CD from RCA [The Elvis Beat newsletter]

I was 22 when I wrote this review back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter.


An Afternoon In The Garden (RCA), recorded by Elvis Presley, June 10, 1972, Madison Square Garden (New York). Released: March 1997 (CD).

It’s hard to go wrong when buying an Elvis concert album. The power of Elvis’ stage performances remains unmatched to this day, as demonstrated by An Afternoon In The Garden, a new album from RCA that was recorded live in 1972.

RCA recorded Elvis’ afternoon and evening concerts at Madison Square Garden on June 10 of that year. The evening performance was released only a week after the actual event on the album As Recorded At Madison Square Garden. Although a few tracks have been released from the afternoon show in various compilations over the years, this is the first time the complete concert has been available.

There are not many surprises here, since the song selection and feel of the performance is very similar to the evening show. They were recorded the same day, after all. The most unique track is “Until It’s Time For You To Go,” which has never been released in a live version to my knowledge.

An Afternoon In The Garden is an exciting album that transports listeners to a front row seat to hear Elvis in concert. The roar of the crowd is nearly a constant presence, heightening the drama. Overall, I think RCA made the right choice going with the evening concert back in 1972, but I wish I could hear it in a similar sound quality as the afternoon concert on this album.

RCA cannot be praised enough for their work over the last seven years. An Afternoon In The Garden is evidence of their continuing dedication to giving Elvis fans what they want. Elvis performed over a thousand concerts in the last decade of his career, quite a few of which were recorded. Hopefully this album is only the beginning of a string of new live releases.

Until then, sit back, relax, and enjoy an afternoon at the Garden with Elvis.

Songs:

  1. Introduction: Also Sprach Zarathustra
  2. That’s All Right
  3. Proud Mary
  4. Never Been To Spain
  5. You Don’t Have To Say You Love Me
  6. Until It’s Time For You To Go
  7. You’ve Lost That Lovin’ Feelin’
  8. Polk Salad Annie
  9. Love Me
  10. All Shook Up
  11. Heartbreak Hotel
  12. (Let Me Be Your) Teddy Bear/Don’t Be Cruel
  13. Love Me Tender
  14. Blue Suede Shoes
  15. Reconsider Baby*
  16. Hound Dog
  17. I’ll Remember You*
  18. Suspicious Minds
  19. Introductions By Elvis
  20. For The Good Times
  21. An American Trilogy
  22. Funny How Time Slips Away
  23. I Can’t Stop Loving You*
  24. Can’t Help Falling In Love

All tracks previously unreleased except *

Rating: 8.5 out of 10

Disney goes Elvis [The Elvis Beat newsletter]

I was 22 when I wrote this piece back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter.


To be released later this year, the new MGM/Walt Disney movie All Shook Up will feature a child who wants to be like Elvis when he grows up. “All Shook Up” was a number one hit for Elvis in 1957.

TRAIN still in station [The Elvis Beat newsletter]

I was 22 when I wrote this piece back in 1997 for The Elvis Beat #16, which turned out to be the final issue of my official Elvis Presley Fan Club newsletter.


Last Train To Memphis, the movie version of Peter Guralnick’s definitive Elvis biography, has been put on hold, according to Elvis World magazine.