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Review: AS RECORDED AT MADISON SQUARE GARDEN CD [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this review back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

As Recorded At Madison Square Garden (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded June 10, 1972, Madison Square Garden (New York). Released: June 1972. Re-released: 1992 (CD).

As Recorded At Madison Square Garden was Elvis’ first live album to consist of one complete concert, instead of songs excerpted from several different shows. This was also his first live album not recorded at the Las Vegas International Hotel. The result is a front row seat for the listener to hear Elvis in concert at Madison Square Garden.

From the rumblings of “Also Sprach Zarathustra” (the theme from 2001: A Space Odyssey) that opens the album to the announcement that Elvis has left the building that closes it, listeners are taken on a journey back to 1972 to witness Elvis at his near best.

He performs his standard hits (as usual a little different than previous versions) and a variety of new songs as well, the best of which is “The Impossible Dream.”

Songs:

  1. “Also Sprach Zarathustra”
  2. “That’s All Right”
  3. “Proud Mary”
  4. “Never Been To Spain”
  5. “You Don’t Have To Say You Love Me”
  6. “You’ve Lost That Lovin’ Feelin'”
  7. “Polk Salad Annie”
  8. “Love Me”
  9. “All Shook Up”
  10. “Heartbreak Hotel”
  11. “Teddy Bear/Don’t Be Cruel”
  12. “Love Me Tender”
  13. “The Impossible Dream”
  14. “Introductions By Elvis”
  15. “Hound Dog”
  16. “Suspicious Minds”
  17. “For The Good Times”
  18. “American Trilogy”
  19. “Funny How Time Slips Away”
  20. “I Can’t Stop Loving You”
  21. “Can’t Help Falling In Love”
  22. “End Theme”

Rating: 8.5 out of 10

Review: LOVE LETTERS FROM ELVIS CD [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this review back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

Love Letters From Elvis (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded June 4-8, 1970, RCA Studios (Nashville). Released: May 1971. Re-released: 1992 (CD).

Despite the fact that Love Letters From Elvis was billed as an album of romantic songs, this is not “Love Me Tender” to the 12 power. In fact, along with the ballads, there are two religious songs and three up-tempo songs that are delivered equally as well as the love songs.

“Love Letters” is a re-recording of his 1966 single and is superior to that version. By far, the best song on this album is “This Is Our Dance,” which is very different from Elvis’ post-1971 ballads which tend to be sentimental pieces reflecting his problems with Priscilla.

Elvis picks up the pace with “Cindy, Cindy,” a song previously recorded with slightly different lyrics by Ricky Nelson under the title “Get Along Home, Cindy.”

The album concludes with “Life,” a song that manages to tell the complete story of the universe in under four minutes.

Love Letters From Elvis suffers from overpowering instrumentation on many tracks, a problem which was corrected for the most part on his future albums.

Songs:

  1. “Love Letters”
  2. “When I’m Over You”
  3. “If I Were You”
  4. “Keep Your Hands Off Her/Got My Mojo Working”
  5. “Heart Of Rome”
  6. “Only Believe”
  7. “This Is Our Dance”
  8. “Cindy, Cindy”
  9. “I’ll Never Know”
  10. “It Ain’t No Big Thing”
  11. “Life”

Rating: 7.5 out of 10

Review: ELVIS IN PERSON CD [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this review back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

Elvis In Person (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded August 22-26, 1969, International Hotel (Las Vegas). Released: November 1970. Re-released: 1992 (CD).

Elvis was at his musical best in the years 1968 and 1969, a period encompassing the ELVIS televions special, the Memphis sessions, and his triumphant return to live performances. The Elvis In Person CD, arguably his best album, captures the Summer 1969 Las Vegas concet engagement that brought him back before an audience after years of movies.

The contents of Elvis In Person had previously been released as Record One of the two-record set From Memphis To Vegas/From Vegas To Memphis in late 1969.

He performs every song on this album with the skill of a true master, from rockers like “Johnny B. Goode” to beautiful ballads like “Words.” With only one or two exceptions, each song on Elvis In Person is the greatest live rendition ever released by him. Never before and never again was Elvis so unbelievably awesome as he was in 1968 and 1969.

Although his subsequent live albums certainly deserve merit, none would exceed the magic of this album. After so many years of mediocre movie soundtrack albums, Elvis was finally back.

Songs:

  1. “Blue Suede Shoes”
  2. “Johnny B. Goode”
  3. “All Shook Up”
  4. “Are You Lonesome Tonight”
  5. “Hound Dog”
  6. “I Can’t Stop Loving You”
  7. “My Babe”
  8. “Mystery Train/Tiger Man”
  9. “Words”
  10. “In The Ghetto”
  11. “Suspicious Minds”
  12. “Can’t Help Falling In Love”

Rating: 10 out of 10

Review: BACK IN MEMPHIS CD [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this review back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

Back In Memphis (RCA), recorded by Elvis Presley, produced by Felton Jarvis and Chips Moman. Recorded January 13-23 and February 17-21, 1969, American Sound Studios (Memphis). Released: November 1970. Re-released: 1992 (CD).

Back In Memphis was the second album released from Elvis’ early 1969 Memphis sessions that produced some of his best studio work. The contents of Back In Memphis had been previously released in November 1969 as Record Two of the double album From Memphis To Vegas/From Vegas To Memphis.

As was typical of his entire career, Elvis performs a variety of musical styles on this album, and as usual, pulls it off with perfection. His best performances on Back In Memphis are “Inherit The Wind,” “Stranger In My Own Home Town,” and “You’ll Think Of Me.”

However, Elvis’ best recordings from the Memphis sessions had already been released either as singles or on the first album, From Elvis In Memphis, and when compared to those works, Back In Memphis is a slight disappointment.

Songs:

  1. “Inherit The Wind”
  2. “This Is The Story”
  3. “Stranger In My Own Home Town”
  4. “A Little Bit Of Green”
  5. “And The Grass Won’t Pay No Mind”
  6. “Do You Know Who I Am”
  7. “From A Jack To A King”
  8. “The Fair’s Moving On”
  9. “You’ll Think Of Me”
  10. “Without Love”

Rating: 7 out of 10

[The Elvis Beat newsletter] Coming Soon. . .

/ TY

I was 18 when I wrote this article back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

Coming Soon. . .

Elvis In Hollywood: A documentary to be released on television and home video later this year. It will examine Elvis’ first four films and highlight his underrated acting talent. “With rare photographs, truly never-before-seen private film footage, and interviews with surviving crew members and co-stars, Elvis In Hollywood will take you on a wonderful, insightful journey behind the scenes of Love Me Tender, Loving You, Jailhouse Rock, and King Creole,” states Graceland Express. The documentary, produced by Jerry Schilling, will also include some previously unreleased Jailhouse Rock outtakes.

ELVIS: The King of Rock ‘n’ Roll – The 60s Sessions: A new CD boxed set to be released in August. This is the follow-up to last year’s ELVIS: The King of Rock ‘n’ Roll – The Complete 50s Masters, which went platinum and received three Grammy nominations.

America Comes To Graceland: A syndicated documentary to be aired on television August 15. Although it will be hosted live from Graceland, the broadcast will primarily consist of footage shot during Elvis Week ’92.

The Life And Times Of Elvis Presley: A companion piece to America Comes To Graceland that is to air in syndication the same week. This is an updated version of a 1987 BBC documentary which aired in two parts as Cut Me And I Bleed and I Don’t Sing Like Nobody.

 

Elvis and the Colonel: Clark takes jabs at Parker [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this article back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter.

Dick Clark, executive producer of the NBC television movie Elvis and the Colonel: The Untold Story, launched an attack against Colonel Tom Parker during a January press tour promoting the American Music Awards.

“I’ve held that story for 20 years,” he said. “I wanted it told so badly because it’s the classic example of horrendous mismanagement. Elvis was a great talent, a national treasure.”

He went on to state some facts about Colonel Parker’s mismanagement of Elvis’ career. The comments were out of character for Clark, who almost never comments negatively on anyone. He has been inside the music industry for over 40 years, launching the careers of countless performers, and his influence is a contributing factor in the continued popularity of rock music.

Clark is a genuine rock ‘n’ roll legend and must have many more horror stories to tell, yet this is the first time he has truly opened up.

“It’s my contention that had Elvis been handled properly and had loved ones around him who really cared, who weren’t just sucking his blood dry, he might be alive today,” he said.

These comments lead one to wonder how Clark could have possibly been satisfied by Elvis and the Colonel: The Untold Story, a poorly-made movie which did little to bring down the Colonel and instead made Elvis a villain. [Perhaps] this movie somehow got away from Clark, and, before he knew it, his original idea had been transformed into the fiasco which aired on NBC in January.

“(Parker) kept (Elvis) in a cage like an animal. He trotted him out like a trained bear,” Clark said. “Oopsy daisy. Stop. Time. I can’t say these things. You draw your own conclusions.”

See Elvis and the Colonel review on page 10.

Elvis and the Colonel: Buried In His Part [The Elvis Beat newsletter]

/ TY

I was 18 when I wrote this article back in 1993 for The Elvis Beat #4, my official Elvis Presley Fan Club newsletter. I have edited out segments where I was overly harsh against this actor, as I now realize he was just trying to do a job even if I disliked the results.

Robb Youngblood gave an awful performance as “Elvis” in the NBC television movie Elvis and the Colonel: The Untold Story. Judging from recent interviews, Youngblood seems to feel that his portrayal of Elvis will jumpstart his [. . .] career.

“I’ve been struggling as an actor,” Youngblood said. [. . . .] “Until two years ago, I waited tables and tended bar. But hopefully I won’t have to do that anymore,” he said. [. . . .]

Youngblood was chosen from over 1,000 actors who auditioned for the role of “Elvis.” He insists that he did not get the part just because of his resemblance to Elvis. [. . . .]

Youngblood holds the “distinction” of being the first actor in a major US production to portray Elvis in his coffin, a fact which he is proud of. Although he was at his acting best during that scene, Youngblood could not even keep his eyelids from moving slightly.

Not only does Youngblood hope Elvis and the Colonel will help his acting career, he also hopes the movie will help start his singing career, for he also sang about half of the songs in the movie, while lip-synching the rest. He refuses to identify which of the songs he sang. They are easy to identify when one remembers that the rest of the songs were recorded by Ronnie McDowell, who has musical talent. [. . . .]

Youngblood has apparently recorded a country music album and said, “I hope to have that out in the spring, soon enough after this movie so it gives me some bounce.” [. . . .]