Sweet Inspirations

That’s The Way It Is reveals a different side of Elvis

/ TY / 19 Comments

My favorite album released during Elvis Presley’s lifetime is That’s The Way It Is. First hitting record stores in November 1970, it features studio material from his June recordings in Nashville as well as four live cuts from his August Las Vegas engagement. It serves as a soundtrack of sorts for the excellent documentary of the same name, also released that month.

Despite the status I give it, the album is not perfect. Rock ‘n’ roll fans sometimes dismiss it as an easy-listening bore. One of the causes of that issue, I believe, is the sequencing of songs. Many of them should have been presented in a different order. For instance, the album unfortunately begins with a live version of the sleepy B.J. Thomas hit “I Just Can’t Help Believin'” and establishes the wrong tone.

Adding to the trouble, two of the live performances, “Patch It Up” and “I’ve Lost You,” are not as powerful as their studio counterparts, which should have been used instead. The studio recordings had been released as singles prior to the album, so the live versions were likely considered bonuses for fans that already had the 45s. The artistry of the album should have taken priority, though.

Apparently to complete the “feel” of a live album, RCA overdubbed applause on the end of the studio version of “Bridge Over Troubled Water,” which closed out That’s The Way It Is. Elvis’ vocals on the first verse of the song are also very faint in the mix, either on purpose or due to a technical glitch. You can better hear Elvis’ beautiful performance of this song, with his voice louder on the first verse and without the annoying applause overdubs, on Heart & Soul and the Elvis: Walk A Mile In My Shoes-The Essential 70s Masters boxed set.

That's The Way It Is (1970)

Side 1

“I Just Can’t Help Believin'”
Live Master–8/11/1970 Dinner Show (DS): As noted above, the song does not serve well as an album opener. While it is misplaced on the album, the performance is strong. I love the little traces of humor in his voice. He sounds on the verge of laughing a couple of times. Also memorable is his interaction with the Sweet Inspirations throughout (“Sing the song, baby”). Elvis would never be quite as incredible again live as he was in this engagement.

“Twenty Days And Twenty Nights”
Master–Take 9: For me, this song represents the adult Elvis, the recording artist that is too often overlooked. “Twenty Days And Twenty Nights” is about a man who regrets leaving his wife, and Elvis evokes this character through music as well as any actor could on screen. The performance plays through the range of emotions, even striking a hopeful tone (“One day soon I’m going back…”) before falling back into despair as he laments “Oh, how I miss her,” over and over at the end.

“How The Web Was Woven”
Master–Take 3: The highlight of the album, “How The Web Was Woven” is a love song that ranks right up there with the better-known “Can’t Help Falling In Love.” From the acoustic guitar opening to the accompanying piano, the arrangement on this one works very well. “At last, I’m where you want me . . . Don’t you know that’s where, where I wanna be,” he sings with a passion that, for this listener anyway, exceeds even the incredible American Sound sessions in Memphis the year before.

“Patch It Up”
Live Master–8/12/1970 DS: Compared to the excellent studio take, this live version sounds almost like a throwaway. Watching this same energetic performance in the film, though, is an entire other experience.

“Mary In The Morning”
Master–Take 5: This is a pretty, if forgettable, love song. It goes on a bit too long and eventually becomes tiresome.

“You Don’t Have To Say You Love Me”
Master–Take 3: Though it is a fine performance, I would have chosen “How The Web Was Woven” or one of the others as a single over Elvis’ version of the Dusty Springfield hit.

Side 2

“You’ve Lost That Lovin’ Feelin'”
Live Master–8/12/1970 MS: This live performance is the definitive version of this song by anyone. This is Elvis at his best: “It makes me just feel like cryin,’ ’cause baby . . . something beau-ti-ful’s dy-in.'” The Righteous Brothers sound like they are singing a lullaby in the original recording compared to the Elvis version. Even Elvis was never able to equal his own performance again in other concerts.

“I’ve Lost You”
Live Master–8/11/1970 DS: While I love this live performance of “I’ve Lost You,” I prefer the studio version featuring more complicated lyrics and arrangement. That being said, this is still a highlight.

“Just Pretend”
Master–Take 3: Picking up where “Twenty Days And Twenty Nights” left off, this turns the despair of a man who left his lover and turns it back to hope for reconciliation. “Now I know, it was wrong to go, I belong there by your side,” he sings, bordering on the type of apology song that Elvis would perfect a couple of years later with “Always On My Mind.” The impressive “Just Pretend,” with a gospel-inspired arrangement, is another all-time favorite.

“Stranger In The Crowd”
Master–Take 9: This is yet another highlight. The band really cooks on this one. For some, Elvis Presley brings to mind “Hound Dog,” “Don’t Be Cruel,” “All Shook Up,” and similar tunes. While those are all fine, when I think of Elvis, I think of songs like “How The Web Was Woven,” “I’ve Lost You,” and “Stranger In The Crowd.”

“The Next Step Is Love”
Master–Take 11: Here’s one studio song where I actually prefer the live version. “The Next Step Is Love” is a little hokey either way, but the studio arrangement, complete with xylophone(!), does not help matters.

“Bridge Over Trouble Water”
Master–Studio Take 8 (with overdubbed applause): I stopped listening to the original album version of this song once RCA finally released a proper studio track. The one on this album simply does not do justice to his performance. The Heart & Soul version, though, I would contend as the best version of this song by anyone.

Upon its original release, That’s The Way It Is faced stiff competition from none other than Elvis himself. In their infinite wisdom, his record label released the following Elvis music in October and November of 1970:

  • Almost In Love album (an excellent “budget” release)
  • “You Don’t Have To Say You Love Me”/”Patch It Up” single
  • Elvis In Person album (re-release of record 1 of the previous year’s From Memphis To Vegas/From Vegas To Memphis double album)
  • Back In Memphis album (re-release of record 2 of From Memphis To Vegas/From Vegas To Memphis)
  • Elvis’ Christmas Album (“budget” repackaging)
  • That’s The Way It Is album
  • “I Really Don’t Want To Know”/”There Goes My Everything” single

Despite the oversaturation, That’s The Way It Is made it to number 21 on the charts and obtained gold record status. It probably would have done even better had fans not been so bombarded with Elvis product in the fall of 1970.

Elvis rehearsing How The Web Was Woven, 1970

Elvis rehearsing How The Web Was Woven, 1970

While a wonderful album, That’s The Way It Is also would have been greatly improved if a couple of different song versions had been used and the album had been sequenced as below in my imaginary version of That’s The Way It Is.

Side 1

  • “Stranger In The Crowd” (studio, as on original)
  • “I’ve Lost You” (substitute studio version)
  • “How The Web Was Woven” (studio, as on original)
  • “You Don’t Have To Say You Love Me” (studio, as on original)
  • “Bridge Over Troubled Water” (substitute Heart & Soul studio version without overdubbed applause)
  • “I Just Can’t Help Believin'” (live, as on original)

Side 2

  • “Patch It Up” (substitute studio version)
  • “Twenty Days And Twenty Nights” (studio, as on original)
  • “Just Pretend” (studio, as on original)
  • “The Next Step Is Love” (studio, as on original)
  • “Mary In The Morning” (studio, as on original)
  • “You’ve Lost That Lovin’ Feelin'” (live, as on original)

No matter the order you listen, though, That’s The Way It Is represents a true Elvis masterpiece.

Portions of the above review originally appeared on my now defunct pop culture blog on May 21, 2008.

Sweet Inspirations documentary now available on DVD

/ TY

This Time-A Music Documentary was released May 31 on DVD. Along with other performers, the independent film includes a look at the Sweet Inspirations – the vocal group that backed Elvis on stage from 1969 through his death in 1977.

This looks like a potential must-have for fellow fans of the Sweet Inspirations.

Visit the official site: This Time – A Music Documentary.

Watch the trailer:

See “Documentary on DVD review: ‘This Time’ A Musical Documentary” — Examiner.com for a review.

In 2010, the world lost two members of the Sweet Inspirations, Sylvia Shemwell and Myrna Smith.

I originally found this item courtesy of elvis4life’s post on the For Elvis CD Collectors forum.

Sweet Inspiration Myrna Smith, 1941-2010

/ TY / 6 Comments
The Sweet Inspirations (1967)

The Sweet Inspirations (1967)

There is more sad news this month. Myrna Smith, a member of the Sweet Inspirations vocal group, has passed away. She was 69.

The Sweet Inspirations backed Elvis on stage from his return to live performances in 1969 through his death in 1977, performing with him in over a thousand concerts. Before becoming an integral part of Elvis’ live show, the Sweets were already a Grammy-winning gospel group that had backed Aretha Franklin, among others. Outside of their time with Elvis, their best known hit as a group was “Sweet Inspiration,” which was released as a single in 1968.

Myrna appears with Elvis in the documentary movies That’s The Way It Is (1970) and Elvis On Tour (1972). She also appears with him in the television specials Aloha From Hawaii (1973) and Elvis In Concert (1977). “They help me get a feeling and get to my soul,” Elvis said of the group in 1969.

She can be heard on the following Elvis albums released during his lifetime:

  • From Memphis To Vegas/From Vegas To Memphis (Elvis In Person At The International Hotel, Las Vegas, Nevada) [1969]
  • On Stage-February 1970 [1970]
  • That’s The Way It Is
  • Worldwide Gold Award Hits, Volume 2 [1971]
  • Elvis As Recorded At Madison Square Garden [1972] (includes Elvis introducing Myrna)
  • Aloha From Hawaii Via Satellite [1973]
  • Elvis (Fool)
  • Elvis Recorded Live On Stage In Memphis [1974]
  • Pure Gold [1975]
  • Elvis: A Legendary Performer, Volume 2 [1976]
  • From Elvis Presley Boulevard, Memphis, Tennessee
  • Welcome To My World [1977]
  • Moody Blue

She also can be heard on countless other Elvis albums released since his death.

She loved Elvis “like a brother”

In a 2005 interview available on Elvis Australia, Myrna shared a special memory of Elvis:

This is when we first met him, y’know. [Elvis] had us up at the penthouse, and he was playing 45s. We were having a little party, a little get-together – drinks at the bar and stuff. [He] came up to me and said, ‘Do you wanna dance?’ It was a slow record. So I said, ‘O.K.’

“And I don’t think that Elvis had ever danced with a black woman before, because he started dancing with me, [and] I felt like just grabbing him and holding him, ’cause his whole body was trembling.

“And, but he was, y’know, he was shy anyway. But all these girls, y’know, that he’d been around, and he’s this macho lover, whatever, and he was [really] just a little boy […] that’s what he was, y’know.

“I looked upon him, a part of my family, like. [W]hen he died and I was screaming, my mother said, ‘He’s not in the family. [Why] are you cry[ing], [why] are you breaking up?’

“Because I love him, he’s like a brother.”

Myrna dated Jerry Schilling, one of Elvis’ best friends, for a number of years. After Elvis’ death, the two married. Schilling went on to manage the Beach Boys, and Myrna co-wrote many of the songs on Beach Boy Carl Wilson’s 1981 self-titled solo album. Her marriage with Schilling ended in 1985 after five years, but the two remained friends.

In recent years, the Sweet Inspirations have continued to record albums and have performed in the Elvis Presley In Concert touring show.

Myrna, thank you for sharing your incredible voice with all of us. You will be missed, but always remembered.

My thoughts and prayers are with her family and friends during this time.

* * *

Sylvia Shemwell, another member of the Sweet Inspirations, passed away earlier this year.

* * *

Additional Research Sources

  • The Elvis Encyclopedia by Adam Victor, Overlook Duckworth, New York, 2008.
  • Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.
  • Me And A Guy Named Elvis: My Lifelong Friendship With Elvis Presley by Jerry Schilling with Chuck Crisafulli, Gotham Books, New York, 2006.
  • ELVIS: His Life From A To Z by Fred Worth and Steve Tamerius, Wings Books, New York, 1992.

Please pray for Myrna Smith

/ TY / 1 Comment

From ElvisMatters:

We’d like to ask […] all the visitors of this website to please pray for Myrna Smith. This is the latest from her friend Carole: “I just […] found out that hospice at West Hills Hospital has been brought in […]. This means that dialysis treatments have been stopped and Myrna will be slowly weaned of the feeding tube. […] It is just a matter of time, but I think it is best for Myrna. Please keep her in your prayers.”

Update on Sweet Inspiration Myrna Smith

/ TY

Elvis Unlimited yesterday posted an update on Myrna Smith, who provided backing vocals for Elvis from 1969 to 1977 as a member of the Sweet Inspirations. “Myrna continues to be very weak, her health is not good, & she sleeps most of the time. She is still getting dialysis three times a week,” reports the site.

For more information, read the full update on Myrna at Elvis Unlimited.

I’ve been listening to Myrna for as long as I’ve been listening to Elvis – basically my whole life. I wish her well.

Elvis news . . . in a flash

/ TY / 2 Comments

Now that we’re starting to get back to “normal” here on The Mystery Train Elvis Blog after wall-to-wall coverage of Elvis On Tour, I thought it would be a good chance to catch up on some of the other things going on in the Elvis world.

Too much, plus tax

While I’ve got some book and Blu-ray reviews in the works, one upcoming Elvis release I’m not likely to be reviewing anytime soon is The Complete Elvis Presley Masters collection, formally announced by Sony Legacy this week and available for pre-order. This 30-CD set checks in at $749 US, plus tax and shipping.

The initial run is limited to only 1,000 units worldwide. You get 814 recordings, a new 240-page hardcover book, and a display case.

Don’t get me wrong here. This looks like a terrific set, and I’m drooling over it as we speak! $749 is simply too much for me personally, especially considering I already have all of the songs (though not always in the same sound quality as what will no doubt be included on this set).

Checking out the other Elvis blogs

Over on Elvis Today, Thomas recently reviewed the FTD edition of How Great Thou Art. He notes, “Getting a front seat in RCA’s Studio B in Nashville and being able to listen to Elvis’ new producer Felton Jarvis directing the session with his supportive comments and encouragement, offers a valuable insight into how the recordings took place and how the songs evolved.” Certainly, a must-read post and, apparently, a must-listen CD set as well.

Phil has some great coverage this week on ElvisBlog about what he calls “Two Very Rare, Weird, and Valuable Elvis Records.” Each one of those rare records will actually cost far more than the 30-CD set referenced above, by the way. One features “Doncha’ Think It’s Time” by Elvis accidentally pressed by RCA on a record labeled as “One For The Money (Part 1)” by The Whispers. How Elvis’ 1958 recording ended up on this 1976 single is anyone’s guess.

This reminded me of a similar mistake that Sony Legacy recently made – in reverse! Some editions of their 2-CD reissue of On Stage-February 1970 have an Alice In Chains album as the first CD – though it is still labeled as Elvis. Sony is offering a disc exchange, but that’s one I’d recommend keeping if you happen to have it, even if you don’t like Alice In Chains. It’s kind of a double collectible, for Alice In Chains fans may want to obtain this unique disc as well.

Continue keeping Myrna Smith in your prayers

One of the beautiful voices you’ll hear on the real version of On Stage is that of Myrna Smith. Because of Elvis, I’ve been listening to Myrna for all of my life.

I mentioned this a couple of weeks ago, but I want to bring it up again. If you’re going to be in Memphis during Elvis Week, be sure to attend Elvis Unlimited‘s Back In Memphis concert, which will benefit Myrna – a founding member of the Sweet Inspirations vocal group that backed Elvis in concert performances from 1969 until his death in 1977. Myrna is hospitalized with a serious illness in California and the medical bills are quickly adding up. Kudos to Elvis Unlimited for taking the initiative to bring fans together to help her.

Even if you can’t attend the show, keep Myrna in your prayers, everyone. May she recover soon.

Benefit concert for Sweet Inspiration Myrna Smith at Elvis Week

/ TY

Please see the following post over at the Elvis Today blog: Benefit Concert For Myrna Smith At Elvis Week. Thanks to Thomas for letting us know about this event.