After EPiC: The Conclusion

If you walked out of Baz Luhrmann’s EPiC: Elvis Presley in Concert wanting to hear more Elvis, The Mystery Train has been providing next steps for you through a series of album-length playlists.

Today’s final playlist covers 1969, a pivotal year for Elvis. He began by recording in a Memphis studio for the first time in well over a decade, continued by making his last movie as an actor, and finished by, as the EPiC teaser put it, returning “to the stage to begin a legendary residency in Las Vegas.” In EPiC, you actually saw his third engagement at the International Hotel, August 1970. In this playlist, you hear highlights from the first engagement, August 1969, which was not filmed.

The playlist is embedded here. You can also find it directly on Spotify. Below the playlist, I have a few other suggestions.

Side A

01. Suspicious Minds
02. Power Of My Love
03. Any Day Now
04. Don’t Cry Daddy
05. Kentucky Rain
06. In The Ghetto
07. Rubberneckin’
08. Change Of Habit

Side B: Live-Las Vegas

09. Blue Suede Shoes
10. Johnny B. Goode
11. My Babe
12. Mystery Train/Tiger Man
13. Are You Laughing Tonight
14. Suspicious Minds
15. Can’t Help Falling In Love

Also available: The complete After EPiC playlist on Spotify, combining all four segments.

Spotify plays additional music without warning after a playlist ends. Anything that follows “Can’t Help Falling In Love” is Spotify guessing what you might want to hear next.

Other Suggestions

While you wait for EPiC to be released on home media, my main viewing suggestion for you is Elvis: That’s The Way It Is – Special Edition. It covers rehearsals and Las Vegas shows in 1970. Outtakes from the original version of this documentary were featured prominently in EPiC. While it lacks Luhrmann’s signature style and Jonathan Redmond’s brilliant editing, the movie includes the same Elvis talent and charisma you experienced in EPiC.

If you want to read more about Elvis, I recommend Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen (1998), Last Train To Memphis: The Rise Of Elvis Presley, covering 1935-1958, by Peter Guralnick (1994), and Careless Love: The Unmaking Of Elvis Presley, covering 1958-1977, by Guralnick (1999). While not without their flaws, they remain the best Elvis books to date.

Finally, if you want to dive even deeper into playlists beyond After EPiC, check out The Mystery Train’s Elvis Odyssey series. While After EPiC concludes in 1969, The Elvis Odyssey begins there.

If you have any questions, please comment below or contact me. Thank you for reading and listening.

After EPiC: Elvis in 1972

Elvis Presley performing at the Greensboro Coliseum on April 14, 1972 (MGM)

Elvis Presley performing at the Greensboro Coliseum on April 14, 1972 (MGM)

For those who came away from Baz Luhrmann’s EPiC: Elvis Presley in Concert wanting to hear more Elvis, this post continues The Mystery Train’s series of next steps.

1972 was another key year featured in EPiC. As Elvis attempted to manage personal challenges, including the breakup of his marriage, he found success in the studio and on the road. This 1972 playlist is designed as one album’s worth of listening. In the coming weeks, I’ll continue sharing album-length playlists exploring other eras of Elvis’s career.

The playlist is embedded below. You can also find it directly on Spotify.

Side A

01. Burning Love
02. Separate Ways (Take 25)
03. Proud Mary (Live-San Antonio)
04. Polk Salad Annie (Live-Richmond)
05. It’s Over (Live-Las Vegas)
06. Are You Lonesome Tonight (Live-Hampton Roads)
07. Lawdy, Miss Clawdy (Live-Hampton Roads)
08. For The Good Times (Take 3)

Side B

09. Johnny B. Goode (Takes 1-3)
10. Young And Beautiful (Rehearsal)
11. You Gave Me A Mountain (Live-Las Vegas)
12. It’s Impossible (Live-Las Vegas)
13. A Big Hunk O’ Love (Live-Las Vegas)
14. Bridge Over Troubled Water (Live-Greensboro)
15. I Can’t Stop Loving You (Live-New York City)
16. Always On My Mind (Take 3)

Spotify will begin playing additional music without warning after a playlist ends. So, anything after “Always On My Mind” is Spotify guessing what you might want to hear next.

You might also enjoy After EPiC: Elvis in 1954-1968.

So, You Liked EPiC. Now What?

If you walked into Baz Luhrmann’s EPiC: Elvis Presley in Concert curious and came away wanting to hear more Elvis, this post is for you.

Deciding what to try next in Elvis’ vast catalog can be confusing. Single disc releases tend to focus on well-worn greatest hits, while deeper exploration often requires navigating massive box sets.

As a next step, may I instead recommend this simple playlist of select studio outtakes, rehearsals, and live performances from 1970?

Featured in EPiC, 1970 was a remarkable year for Elvis both in the studio and on stage. This playlist is designed as one album’s worth of listening, enough to enjoy an evening with Elvis. In the coming weeks, I’ll be sharing a few more album-length playlists exploring other eras of Elvis’s career.

The playlist is embedded below. You can also find it directly on Spotify.

After EPiC: Elvis in 1970

Side A
01. Patch It Up (Take 1)
02. I’ve Lost You (Take 1)
03. How The Web Was Woven (Take 1)
04. Little Sister/Get Back (Rehearsal)
05. Baby, Let’s Play House (Rehearsal)
06. I Washed My Hands In Muddy Water (Rehearsal)

Side B
07. Polk Salad Annie (Rehearsal)
08. I Just Can’t Help Believin’ (Live)
09. Mystery Train/Tiger Man (Live)
10. One Night (Live)
11. Suspicious Minds (Live)
12. Just Pretend (Live)

Keep in mind that one of the quirks of Spotify is that it will begin playing additional music without warning after a playlist ends. So, anything after “Just Pretend” is Spotify guessing what you might want to hear next.

You might also enjoy After EPiC: Elvis in 1972.

Baz Luhrmann’s Message to EPiC Theaters: “Turn It Up!”

The EPiC marquee of the State Theatre in Hutchinson, MN (Credit: Jayson Wall)

The EPiC marquee of the State Theatre in Hutchinson, MN (Credit: Jayson Wall)

According to Jayson Wall on the Steve Hoffman Music Forum, director Baz Luhrmann on Friday told US theaters playing EPiC: Elvis Presley in Concert to “turn it up!” Wall owns and operates the State Theatre in Hutchinson, Minnesota.

Luhrmann wrote in his note, “This should feel like you are seeing Elvis live in concert. Turn it up! Let the audience dance. Even the older crowd loves it loud.”

Wall’s background includes restoration work at The Walt Disney Studios, with credits such as Mary Poppins and Alfred Hitchcock’s Rebecca, as well as helping establish Apple’s post-production and delivery operations during the launch of Apple TV+.

The custom lobby display for EPiC in the State Theatre, Hutchinson, MN (Credit: Jayson Wall)

The custom lobby display for EPiC in the State Theatre, Hutchinson, MN (Credit: Jayson Wall)

In addition to displaying the EPiC poster, Wall added some custom touches to the promotion of the film in the State Theatre’s lobby, including a display of Elvis record covers from the 1968-1972 timeframe.

Screenshot of Baz Luhrmann’s note to US theaters playing EPiC (Credit: Jayson Wall)

All photos courtesy of Jayson Wall, used with permission.

EPiC: A Soundtrack That Shouldn’t Stand Alone

I originally was going to do my standard song-by-song review of the soundtrack for Baz Luhrmann’s EPiC: Elvis Presley in Concert. However, I soon realized this would essentially turn into a review of the actual film, which I want to avoid analyzing for now.

Cover of the EPiC soundtrack (2026, Sony)

Cover of the EPiC soundtrack (2026, Sony)

The soundtrack is inextricably intertwined with the movie, which isn’t to say they just laid down the exact audio of the documentary onto this CD. Some songs, mostly ambiance material from the non-concert portions, are missing, while some of the other songs are expanded or slightly different edits.

You should not listen to the soundtrack until you first see the movie. Unlike some soundtracks, this one really does not stand alone. It is a companion piece to the best Elvis Presley project ever made. Some choices that might sound odd at first on the soundtrack make much more sense in the context of EPiC as a film.

Listening to the soundtrack would also provide massive spoilers for EPiC as an experience. If you have not already, see it in a theater as soon as possible. No one has asked me to post these kinds of comments about the movie. I don’t get anything out of any of this, other than personal enjoyment. This is just me talking, one Elvis fan to another. EPiC is special, and you don’t want to miss seeing it.

You see? Even without song-by-song, I find myself drifting into a review of the movie.

Back to the soundtrack, there are a number of highlights that will live on in my main Elvis rotation for years if not decades to come. “Oh Happy Day” is breathtaking to hear. All we ever had was the rehearsal track of this, which left me wondering “what if?” This remix finally provides the answer.

“Wearin’ That Night Life Look” is a mashup of 1969’s “Wearin’ That Loved-On Look” and 1964’s “Night Life.” You don’t combine a highlight of the American Sound sessions with a movie tune! Oh, and then you’re going to throw in snippets of “Let Yourself Go” and “I, John”? It makes no sense. It can’t possibly work.

But it does! Somehow it does! What a wonderful “new” Elvis song “Wearin’ That Night Life Look” turns out to be. Along the same lines is the even more stellar “A Change Of Reality (Do You Miss Me?),” which I won’t even describe for you. See. The. Movie. I never thought an “invented” song like “A Change Of Reality” could be so incredible, but here we are. It’s probably my favorite new track.

The track “Bring The Curtain Down (EPiC Outro)” is brilliant as well. “Don’t Fly Away” is another mashup that I previously enjoyed on the 2022 ELVIS soundtrack, and it earns its encore here.

Plus there are tons of Elvis songs that we already know and love.

A minor quibble is that one of the interior artwork pieces (not pictured) frames Elvis in radiating, halo-style imagery that feels a little too saint-like for my taste. It pushes him toward deification rather than humanity. It doesn’t really fit with EPiC‘s mostly grounded portrait of Elvis. I find Elvis’ “King” image far less interesting than the real human being, which is one of the reasons I love EPiC and why that graphic doesn’t work for me.

That said, packaging is secondary to what matters most for Elvis releases, which is, as it always has been, the music. There’ll be plenty of time to analyze both the film and the soundtrack in the future.

Until then, enjoy this rare moment and see and feel Elvis like never before in EPiC.

The EPiC soundtrack is available on CD and digital now. The vinyl edition drops on April 24.

EPiC: The Elvis Film I’ve Been Waiting For My Entire Life

The marquee of the International Hotel, as seen in EPiC

The marquee of the International Hotel, as seen in EPiC

I’m not going to review Baz Luhrmann’s EPiC: Elvis Presley in Concert right away because this is a film to be experienced and felt before it is analyzed. As I told my friend Thomas of the Elvis Today Blog, EPiC was the culmination of my life as an Elvis fan.

I don’t say that lightly. It was an emotional experience to see what amounted to a tour of so many of the reasons I personally love Elvis and his music. Other documentaries, such as Elvis Presley: The Searcher, Elvis: The Great Performances, and This Is Elvis, have explored similar ground, but none connected with me at this level the way EPiC did.

A minor spoiler alert so that I can give you the reaction of my bride, who is along for the ride on the Elvis train. Her key takeaway was: “Elvis wore a bra on his head.” There’s nothing I can add to that.

If you are an Elvis fan who likes what I do here on The Mystery Train, especially The Elvis Odyssey series, then you will love EPiC. Less than 12 hours after seeing an IMAX early access screening, I still can’t believe it.

See EPiC in a theater as soon as you can. Do not wait for streaming or a home media release. Go to the theater. It’s like Elvis is there. Trust me on this one.

Keeping the Footage. Losing the Baggage.

Elvis Presley in 1970, from the EPiC: Elvis Presley in Concert trailer - 2026, NEON

Elvis Presley in 1970, from the EPiC: Elvis Presley in Concert trailer (2026, NEON)

When I watched the full trailer that NEON dropped back on January 13 for Baz Luhrmann’s EPiC: Elvis Presley in Concert, I realized a couple of things.

One is that I’ve been writing about this darned lost footage for 35 years. This brief newsletter article about Elvis: That’s The Way It Is and Elvis On Tour outtakes was actually one of the first things I ever wrote about Elvis.

You see, I had read about the possibility of such footage existing in one of my brother’s old Elvis magazines from 1987. Naturally, I wrote to Graceland about it. Because that’s what you do.

And Graceland was nice enough in 1991 to provide the few available details, which I incorporated into my article the following year.

The second realization is that I’ve been carrying around almost as many years’ worth of baggage over this lost footage.

Oh, the mismanagement! Oh, the falsehoods! Oh, the missed opportunities!

As I watched the brilliant preview trailer for EPiC, I finally accepted that it’s time to let all of that go. I don’t want to weigh EPiC down with my lost footage baggage.

Writing is a catharsis for me, so I’m going to air out this baggage one last time, and then it’s gone forever. And if you see me mention it again, friends, I want you to call me out on it.

THAT'S THE WAY IT IS home video cover (1988)

ELVIS: THAT’S THE WAY IT IS home video cover (1988)

1992

Event: Elvis: The Lost Performances arrives on VHS and Laserdisc. This compilation of outtakes from Elvis: That’s The Way It Is and Elvis On Tour was just about perfect for its time. It primarily focused on the songs that mattered to Elvis, not necessarily his biggest hits. Songs were presented in full. With no narration in between, the music was allowed to speak for itself.

THE LOST PERFORMANCES home video cover (1992)

ELVIS: THE LOST PERFORMANCES home video cover (1992)

Associated Baggage: The release of Turner Home Entertainment’s Elvis: The Lost Performances was initially delayed by a year or more due to the 1990 home media release of Buena Vista’s Elvis: The Great Performances. Though they played nice in terms of release dates, I guess no one noticed that a mere four letters distinguish one title from the other. Among casual fans and, most assuredly, the general public, this was potential confusion. The Lost Performances cover art also used a reverse image of the same underlying Elvis: That’s The Way It Is pose as the 1988 VHS release of that film. More potential confusion. To top it off, one month before Elvis: The Lost Performances hits shelves, CBS airs, get this, a television version of Elvis: The Great Performances. I guess that whole playing nice in the marketplace thing didn’t work both ways.

1997

Event: Among other Elvis titles, Turner/MGM re-releases Elvis: That’s The Way It Is, Elvis On Tour, and Elvis: The Lost Performances on home video.

Associated Baggage: All of the “new” VHS videos are in pan & scan to fit square televisions of the day, though many consumers, including this particular Elvis fan, were educated enough by this time to know that widescreen/letterboxed was a superior format for such movies in order not to lose large portions of the image. While Elvis: That’s The Way It Is earns a DVD release at this time as well that contains a widescreen option in this new format, there are inexplicably no DVDs for Elvis On Tour or Elvis: The Lost Performances.

2001

Event: And here’s the big one. If you follow this kind of stuff, you knew it was coming. Warner Brothers releases Elvis: That’s The Way It Is – Special Edition on home video. The 2000 film uses some of the once-lost footage from Elvis: The Lost Performances, other lost footage, and some of the original footage as part of an entirely new cut of the classic documentary.

2001 VHS and DVD editions of THAT'S THE WAY IT IS: SPECIAL EDITION

2001 VHS and DVD editions of ELVIS: THAT’S THE WAY IT IS – SPECIAL EDITION

Associated Baggage
Where to start? First, the name. The fact that this is almost an entirely new movie is not at all obvious by adding “Special Edition” to the title of the original documentary that many Elvis fans already owned by this point.

Next, the day before the VHS version goes on sale, Turner Classic Movies airs Elvis: That’s The Way It Is – Special Edition on cable television. As long as you had the channel, you could record it with your VCR for free. You even get a few bonus songs after the movie not included on the retail VHS.

Ah, but the DVD! It will have all of those bonus songs and even more as special features, right? Well, it was supposed to, but someone apparently didn’t obtain all of the proper clearances. So there was a delay as the DVDs were re-made to exclude all of the bonus songs. Oh, and then just as they are about to hit store shelves (and possibly a few do), someone realizes that the DVD case still has references to those bonus songs that aren’t actually on the DVD. So, another delay while the cases are re-made. Finally, months after the VHS, the DVD comes out. Not with a bang, but with a whimper.

Oh, and Elvis: That’s The Way It Is – Special Edition uses that same underlying Elvis image as the 1997 & 1992 releases of Elvis: The Lost Performances and the 1988 release of Elvis: That’s The Way It Is.

Apparently, Warner is disappointed by the sales of the Special Edition (gee, I wonder why sales would suffer), so it cancels a similar project around Elvis On Tour.

But wait, there’s even more baggage here. The release of Elvis: That’s The Way It Is – Special Edition and its use of some of the same songs seems to have buried Elvis: The Lost Performances, which Warner never releases again.

2007

Event: A 2-DVD re-release of That’s The Way It Is: Special Edition that includes the original film and some of the excised bonus features from 2001 on the second disc.

Associated Baggage: The long-awaited bonus features were in embarrassing video quality for a mainstream release, as apparently a backup videotape copy was used when the master tapes from 2001 could not be found. While definitely watchable, the 1970 theatrical cut was also in lesser condition relative to the 2001 edit. And I’m not even going to mention what underlying cover image they decided to go with. Because even if you don’t know, you already know.

2010

Event: Elvis On Tour finally gets a DVD release! And. . . can this be. . . a Blu-ray release! It almost sounds too good to be true.

Associated Baggage: Well, it turns out that it almost is. At the last moment, Warner reveals that the opening song that plays over the credits, a rehearsal of “Johnny B. Goode,” ran into issues with obtaining clearance. From most accounts, it seemed out of their hands this time. Fair enough. What do they do? They replace it with a lacklustre live version of “Don’t Be Cruel.” Oh. . . and just to really give me nightmares, they also edit in a poor loop of the song since it wasn’t long enough to cover the opening credits sequences. So you get to hear Elvis’ “Please let’s forget the past, before I kick your–” joke not once, but twice, ladies and gentlemen. And, more relevant to this post, no bonus features. Nothing.

2014

Event: Elvis: That’s The Way It Is gets a Blu-ray release! 2001 bonus songs master tapes located and to be included!

Associated Baggage: Well, here’s what actually happened back in 2014 if you bought the Elvis: That’s The Way It Is Blu-ray. You did indeed get a Blu-ray of Elvis: That’s The Way It Is – Special Edition. The promised improved quality bonus songs? I wish I could say otherwise, but not so much. I really don’t know what they were thinking. As for the original Elvis: That’s The Way It Is movie? It is included as a second DVD, using the same master as way back in 1997. But hey, at least the art department was on top of things. When they envisioned what the cover art for this first-ever That’s The Way It Is Blu-ray should be, a certain underlying image immediately came to mind. . . .

2014 Blu-ray edition of THAT'S THE WAY IT IS: SPECIAL EDITION

2014 Blu-ray edition of ELVIS: THAT’S THE WAY IT IS – SPECIAL EDITION

2026: Letting it go

We could all probably think of more blunders around the handling of the lost and not-so-lost footage originally captured for Elvis: That’s The Way It Is and Elvis On Tour, but it is indeed time to let it all go.

So, here’s what I propose. That abandoned salt mine in Kansas that people keep finding this lost footage in? Let’s lock our baggage in there. Gone. Forever.


Did I mention the full EPiC trailer is brilliant? Surely, you have watched by now? If not, you better check it out over on YouTube.

Wow.

Just wow. That’s all I’ve got.

Around the same time as the trailer, NEON also released a new poster. I mean, even if EPiC somehow turns out to be a dud, that is one awesome Elvis poster that I had to have!

Being the understanding woman that she is, my bride ordered one for me. When the package ran into shipping issues due to the recent weather events, I heard her laughing as she looked at the tracking image.

Wondering what gave her that reaction, I took a look. The tracking uses a close-up of the poster, so it looks like Elvis’ face on the map.

Sure, that’s mildly humorous, but I didn’t see why she thought it was so funny.

Then I looked again at the map.

That’s right, Elvis is stuck in Memphis!

EPiC hits IMAX theaters worldwide on February 20, with early access showings beginning on February 18, and then expands to wide release on February 27 globally.