The Mystery Train 1.0

A selection of my writings from the original run of The Mystery Train, published online between 2010 and 2014, preserved as part of the site’s early history.

Go behind-the-scenes with Old Yeller in Viva Las Vegas

/ TY
Filming Viva Las Vegas

Filming Viva Las Vegas

Because it linked to my “Victory in Vegas for Elvis the Jedi Master” post, I recently came across an incredible webpage containing 19 behind-the-scenes photos of Viva Las Vegas. The photos are from the collection of two-time Academy Award-winning cinematographer Haskell Wexler. Wexler owned the “Old Yeller III,” a car featured in the Las Vegas Grand Prix race sequence.

One of those images from Tam’s Old Race Car Site is above. The site describes it as, “Three of the most interesting cars involved in the production await instructions at a staging point in the mountains. Old Yeller III and the ‘Vinegaroon’ are joined by a beautiful Ferrari 250GT ‘Tour de France’.”

Really cool stuff! View the full set of images at the “Filming ‘Viva Las Vegas'” page. If you’re a car buff, the entire Tam’s Old Race Car Site is definitely worth checking out as well.

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Image Source
Original image is from the Haskell Wexler Collection, provided by Tam’s Old Race Car Site. Thank you to Jeff Wexler and Tam McPartland for allowing use of this photograph on The Mystery Train Elvis Blog. Please do not reproduce this image without obtaining permission.

The Elvis Today Blog goes retro!

/ TY

The “Elvis” of Elvis blogs.

The greatest Elvis blog of all time.

Those are two apt descriptions that immediately come to mind for Thomas Melin’s Elvis Today Blog. Thomas is far too humble to promote his blog with such strong words, so I thought I’d take a moment and do it for him. Some folks out there like to brag, but I suppose when you are already at the top of the mountain, there’s no need for it.

Who says the Internet will be the death of books? On the contrary, Thomas has turned his first 271 Elvis Today posts into a book – now available. I’ve already read every post on his site, but I’m looking forward to reading them all again in this retro format. The book also contains one bonus post that never appeared on the Elvis Today Blog web version.

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Thomas has been kind enough to guest blog for me a couple of times:

  • Elvis Super 8 Film Festival
  • Clambake! (The Mystery Train Elvis blog)

I hope he keep those Elvis Today Blog posts coming. After all, every spectacular book deserves a sequel.

And all four speakers were blaring Elvis

/ TY / 2 Comments

The latest FTD release, Live In Vegas: August 26, 1969 Dinner Show, arrived at my house yesterday. I resisted the urge to give it a quick listen last night so that I can give it proper attention this weekend. I’ll be reviewing this one soon, and I can’t wait to hear it. I wonder if my neighbors would mind if I blared an Elvis concert at 6:30 in the morning? Of course, it wouldn’t be the first time.

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Came across a nice little Elvis mention courtesy of Google News while web surfing last night. I started to post a link here, but was too sleepy to type coherently. I’m definitely a morning person, you see. Anyway, over on JSOnline, the web site of the Milwaukee Journal Sentinel, someone wrote the following comment and question to “Mr. Music:”

I know the peak time for quadraphonic albums is around 1975. But the first quad LP I bought was ‘Aloha From Hawaii via Satellite,’ the soundtrack of Elvis Presley’s 1973 Honolulu concert. Since this came out before quad’s heyday, is it the first quad album? I’ll bet it is the top-selling quad release. Also, did anyone ever make quad singles?”- Jeremy Norbert, Milwaukee

Quadraphonic sound was an early consumer version of what we now call surround sound. In stereo sound, the audio is separated into two distinct channels. In quadraphonic sound, the audio was separated into four distinct channels – meaning you would listen with four speakers. Though it was indeed used for Aloha From Hawaii via Satellite, the format did not catch on.

I didn’t even notice this last night, but another perusal of the article just now reveals that “Mr. Music” is none other than renowned record collecting and Elvis expert/author Jerry Osborne. No wonder I was so impressed with his response. I was surprised last night that a “mainstream media” member could give such a knowledgable reply without tossing in snide comments or jokes about Elvis in the 70s. Now it all makes sense.

Check out Osborne’s reply: “Elvis in Hawaii helped take sound to a new level” — JSOnline. I’ll definitely be keeping an eye on Osborne’s Mr. Music column in the future.

An updated version of Osborne’s Elvis: Like Any Other Soldier book is available now. You can find out more information about his publications over at Jerry Osborne’s site.

FTD to release Elvis Sings Guitar Man

/ TY / 2 Comments

Just learned terrific news. The next Follow That Dream Records release is going to be the “imaginary album” Elvis Sings Guitar Man, filling in its Classic Album series with songs recorded in Nashville in 1966 and 1967 (“Elvis Sings Guitar Man” — Elvis Today). These songs originally found their homes as bonuses on various movie soundtracks. This 2-CD set will fit in perfectly with The Mystery Train’s ongoing tribute to Elvis events of the year 1967.

The CD is due out in April. From ElvisNews.com, here’s the tracklisting:

DISC 1

01) Guitar Man 2:22
02) Tomorrow Is A Long Time 5:24
03) Big Boss Man 2:54
04) Love Letters 2:52
05) Indescribably Blue 2:50
06) Fools Fall In Love 2:08
07) Hi-Heel Sneakers 2:48
08) Down In The Alley 2:54
09) Come What May 2:03
10) Mine 2:39
11) Just Call Me Lonesome 2:08
12) You Don’t Know Me 2:32
13) Singing Tree 2:22
14) I’ll Remember You 2:48

Bonus Song
15) Beyond The Reef (overdubbed version)

First Takes
16) Guitar Man – takes 1,2,5 4:22
17) Tomorrow Is A Long Time – takes 1,2 6:15
18) Big Boss Man – take 2 3:35
19) Love Letters –take 2 2:53
20) Fools Fall In Love – takes 1,4 2:40
21) Hi-Heel Sneakers – take 5 4:58
22) Down In The Alley – take 1 3:13
23) Come What May – take 2 2:12
24) Singing Tree – take 1 3:11
25) I’ll Remember You – vocal overdub take 2 4:14

DISC 2

May 1966 Sessions
01) Down In The Alley – takes 2,3,4 2:18
02) Down In The Alley – take 6 2:51
03) Love Letters – takes 3,4,5,7 4:39
04) Love Letters – take 8 3:12
05) Beyond The Reef – takes 1,2 (undubbed master) 5:42
06) Come What May – takes 3,4 2:27
07) Come What May – take 6 2:07
08) Come What May – take 7 – 2:21

June 1966 Sessions
09) Indescribably – (vocal overdub) take 1 2:55
10) I’ll Remember You – (unedited master) vocal overdub 1 4:10

1967 Sessions
11) Guitar Man – takes 7,9 2:52
12) Guitar Man – take 10 2:55
13) Guitar Man – takes 11, 12 (unedited/undubbed master) 4:02
14) Big Boss Man – takes 1,3,4,5 3:19
15) Big Boss Man – takes 7, 9 3:48
16) Singing Tree – takes 2,4 3:28
17) Singing Tree – take 8 3:03
18) Singing Tree – takes 10,13 3:44
19) Just Call Me Lonesome – takes 3,4 2:55
20) Just Call Me Lonesome – takes 5,6 2:31
21) Hi-Heel Sneakers – takes 1,6 2:51
22) Hi-Heel Sneakers – take 7 – (unedited master) 4:57
23) You Don’t Know Me – take 2 2:57
24) Singing Tree – (remake) takes 1,2,3 3:21

FTD is Sony’s collectors label for Elvis fans. The releases are available from various online stores. Since they originate in Denmark and then ship to retailers, there is sometimes a two or three week delay after the “release date” before the CDs arrive for those of us in the United States.

Introducing a new page: Elvis Presley Discography

/ TY

I’ve added a new reference page to The Mystery Train Elvis Blog, Elvis Presley Discography. It lists the Elvis singles and LP albums released in the United States during his lifetime.

View The Mystery Train Elvis Blog’s Elvis Presley Discography page. You can also access it using the Elvis tab at the top of the page.

From Blogs To Books/From Books To Movies

/ TY / 2 Comments

Thanks again to Thomas for taking over as guest conductor last week. I decided to just take the whole week off from keeping up with Elvis news and writing the blog. Honestly, what I learned during my week away from The Mystery Train is that I need time off from here more often, despite how much I love it. Taking a few steps back made me realize that sometimes this fun little hobby consumes too much of my life.

Last Train To Memphis: The Movie That Wouldn’t Die

With that being said, I did have a chance to go back and catch up on the news. One of the main stories to hit the Elvis sites last week was talk of a movie version of Last Train To Memphis: The Rise Of Elvis Presley, Peter Guralnick’s definitive early Elvis biography. The book was first released in 1994, seventeen years ago. I believe Hollywood has been trying to turn this into a movie for almost that long.

I can actually remember covering the Last Train To Memphis movie for the fan club newsletter I wrote back in the early to mid 1990s. My last story on the subject was something to the effect of “Unfortunately, plans for a movie version of Last Train To Memphis have been put on hold.”

Over the years, the project has continued to garner a mention out here in web land every now and then. IGN Movies even reviewed a rough draft script for Last Train To Memphis by Jim Uhls (Fight Club) back in 2000. None other than The New York Times listed a now-abandoned Last Train To Memphis incarnation with Mike Newell directing, Leonardo DiCaprio producing, and John Goodman appearing in an unidentified role (perhaps Colonel Tom Parker?). Long-time Elvis friend Jerry Schilling was also attached to the project as co-producer.

Here we are, well over a decade later, and plans for the movie have apparently been put back on the track, with John Fusco set to write a new adaptation for producer Steve Bing (“John Fusco Takes His Shot At Early Elvis” — Deadline Hollywood). Fusco‘s biggest credit to date is 1988’s Young Guns, while a few of Bing’s past productions have been documentaries. He also wrote the Chuck Norris Missing In Action series of movies.

My hope is that Last Train To Memphis: The Rise Of Elvis Presley will not be yet another conventional dramatization of Elvis’ life, but instead a definitive documentary using archival music, footage, and photographs to tell the story. After all, the only person who can really do Elvis justice is Elvis himself. Johnny Depp need not apply.

An ultimate Elvis documentary would fill the void left by the now-dated This Is Elvis and Elvis: The Great Performances. If they do this movie right, there’s a sequel already waiting in the wings in the form of Careless Love: The Unmaking of Elvis Presley, Guralnick’s somewhat disappointing 1999 follow-up that covered the remainder of Elvis’ life.

Sometimes, initiatives take flight right out of the Projects That Will Never Happen Department, and maybe that will be the case with Last Train To Memphis.

Live like Elvis – at any budget

ElvisBlog was one of several sites to cover one of Elvis’ former homes going on the rental market. The southern California residence that then-newlyweds Elvis and Priscilla used in 1967 can be yours for just $25,000 a month and includes, amazingly enough, “floor-to-ceiling walls throughout.”

If $25,000 a month is too much for you, then perhaps you might want to furnish your own version of Graceland instead by perusing eBay’s local classified advertisements (“Recreate Graceland Forever!” — The eBay Classifieds Blog). The Jungle Room is pretty cool, especially since two of my favorite albums were recorded there, but I think Elvis’ TV Room is more my style.

Judging a blog by its book cover

Finally, be sure to check out the ultra-slick cover to Thomas’ forthcoming book, which compiles his first 271 posts on the Elvis Today blog. It also features one never-before-published article. Hey Thomas, I’m just wondering, who is going to star in the inevitable movie version of the Elvis Today blog?

Guest Post: Elvis 1967 – Clambake!

/ Guest Conductor / 10 Comments

When Ty announced that The Mystery Train Elvis Blog would honor the 44th anniversary of 1967 with special features on that Elvis year all throughout 2011, I couldn’t keep my fingers away from the keyboard. Not only does 1967 mark the year I was born, it also saw the release of the soundtrack album Clambake, and I’d like to talk a little bit about the latter.

Clambake (1967)

Clambake (1967)

Actually, Clambake isn’t strictly a soundtrack album as it includes no less than five bonus songs, four of them recorded in Nashville on September 10-11, 1967. No doubt this is a big part of the explanation why I like it. And although one of the worst soundtrack songs Elvis ever recorded is featured on it as well, a lot of the movie material works surprisingly well.

Clambake is the only soundtrack album to kick off with a bonus song, and what a start it is. For starving fans back in 1967 it must have been a joy to listen to Elvis belting out “Guitar Man.” This is one of the songs that revealed that Elvis was again showing signs of musical creativity and a newly found interest in his career.

Although the same thing can’t be said about the next song, I actually enjoy the title track “Clambake.” It’s a fun number and I love it when Elvis sings “Aaaaaaaallrigh” at the beginning of the instrumental break.

The duet “Who Needs Money?” is a dreary song, but what follows is the pretty little ballad “A House That Has Everything.” Unfortunately, it’s then time for “Confidence,” a song I would list among the five worst numbers Elvis ever recorded. A children’s song that is unlikely to appeal to any child, or grownup too, for that matter.

The last song on side 1 of the original LP is “Hey, Hey, Hey,” a number many fans think is crap. I agree that the lyrics are silly and that the scene in the movie where it’s sung is an awful one. But I think it works well on record, it’s a funky, enjoyable number.

Side two is actually better than the first one, no doubt because the rest of the bonus songs can be found on it, together with the beautiful “You Don’t Know Me,” certainly one of Elvis’ best soundtrack ballads. When I bought the LP I never understood why it was labeled “Specially recorded for records.” It was years later that I learned that Elvis wasn’t satisfied with the version recorded during the Clambake session, on February 21, 1967.

“The Girl I Never Loved” is another beauty, I love it when Elvis sighs while singing “The kiss I never got, somebody else will make…” A sensitive ballad.

Why is is that some of the best songs are always cut from the movies? “Animal Instinct” from Harum Scarum and “Sand Castles” from Paradise, Hawaiian Style are two such examples, the bonus song “How Can You Lose What You Never Had” from Clambake another.

The three excellent bonus songs “Big Boss Man,” “Singing Tree,” and “Just Call Me Lonesome” round off the original Clambake album, released in October 1967, four months after I was born. I first listened to it maybe fifteen years later, and still do now and then. Clambake, gonna have a clambake!

/Thomas, Elvis Today

Throughout 2011, The Mystery Train Elvis Blog is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.