Music

Some thoughts on “It’s Still Here” and Elvis In Nashville

/ TY

Thomas over at the Elvis Today blog has written a great review of the latest FTD classic album release, 1973’s Elvis (Fool). “Of the three ‘Elvis at the piano’ songs, my favorite has always been ‘It’s Still Here,'” he says.

“It’s Still Here” is definitely my favorite as well, by a long shot over “I’ll Take You Home Again, Kathleen” and “I Will Be True.” I first heard “It’s Still Here” on a 1988 compilation album called Elvis In Nashville. I remember listening to that record over and over, and particularly loving that song because it featured Elvis on piano. It’s one of those sad “Always On My Mind” style songs that I gravitate towards, anyway. Wonderful performance.

I just pulled out Elvis In Nashville from my record collection and decided to give it a spin. I haven’t played it in years. Wow, what a track listing! While it may just have been a compilation of previously released songs, it was my first exposure to many of them.

Side A
I Got A Woman
A Big Hunk O’ Love
Working On The Building
Judy
Anything That’s Part Of You
Night Rider
Where No One Stands Alone

Side B
Just Call Me Lonesome
Guitar Man
Little Cabin Home On The Hill
It’s Your Baby, You Rock It
Early Mornin’ Rain
It’s Still Here
I, John

This album made for a fascinating listening experience, showing how Elvis music from various time periods really blended much better together than some people would have you believe.

I also remember that “Night Rider” always skipped at a certain point of the song, even the first time I played the record. It wasn’t until I obtained ELVIS: From Nashville To Memphis-The Essential 60s Masters I several years later on CD that I was finally able to hear the song without the skip. As much as I love my old records, I can still pull out From Nashville To Memphis on CD and the sound quality is as perfect as the day I bought it. I do miss the pops and crackles of the record sound sometimes, though. Elvis In Nashville has a lot of that. I must’ve really played the heck out of this one back then.

Anyway, be sure to check out Thomas’ review of Elvis (Fool), which also features “It’s Still Here,” over on Elvis Today.

Listen to Elvis again for the first time in Viva Elvis-The Album

/ TY

Viva Elvis: The Album is the Elvis surprise of the year for me. Since I have no interest in the Cirque du Soleil show that inspired it, I was pretty much ignoring this release until a preview trailer appeared before the theatrical showing of Elvis On Tour. That preview perfectly sets up this album – in fact, it is essentially the opening track. Next, I heard the modernized version of “Suspicious Minds” and I was hooked. (The accompanying music video released yesterday on elvis.com, however, is atrocious.)

From the sound clips on Amazon and other sites, I was pretty sure this album would be about one-third great, one-third okay, and one-third awful. I missed the mark on that assessment, by a mile. The entire album is a creative show of force that left me in absolute shock. The out-of-context song clips do not even begin to do this artistic album justice. Not even the “Suspicious Minds” single is an adequate representation, for this album is an experience.

Unlike other remix-type albums, I recommend listening to Viva Elvis in one sitting from beginning to end – rather than in the segmented form that iPod convenience so often brings us. Though the Elvis vocals are mostly from studio masters, this often feels like a live show – that is, if Elvis was alive in 2010 and gave a multimedia extravaganza concert reflecting on his career.

The backing on these tracks may have changed from the familiar versions, but the heart of this music remains the same. The originals will always maintain their rightful prominence over fancy remixes, but Viva Elvis: The Album offers a chance to listen to Elvis for the first time – all over again. It is so great that I wish I could shout about it from mountaintops – but I’m really not much of a climber. Instead, I’ll just have to use my little blog.

Viva Elvis The Album, 2010

Viva Elvis The Album, 2010

Hear the once and future Elvis on Viva Elvis: The Album – now available

/ TY / 2 Comments

Viva Elvis: The Album arrives in stores today. The release features twelve main tracks, with remixes designed to make Elvis sound as if he were recording today.

1. Opening: Also Sprach Zarathustra (instrumental)
2. Blue Suede Shoes
3. That’s All Right
4. Heartbreak Hotel
5. Love Me Tender
6. King Creole
7. Bossa Nova Baby
8. Burning Love
9. Memories (instrumental)
10. Can’t Help Falling In Love
11. You’ll Never Walk Alone (instrumental)
12. Suspicious Minds

Some versions of this album include one of several bonus tracks, with Elvis singing a “duet” with a present-day performer.

Memories of yesterday, dreams of today

/ TY

The Huffington Post today published in-depth interviews with Ernst Jorgensen on The Complete Elvis Presley Masters and Erich van Tourneau on Viva Elvis: The Album. The first run of the 30-disc Complete Elvis Presley Masters is sold out, with more to be available next year. The single disc Viva Elvis: The Album hits stores tomorrow. While both projects feature Elvis, one release focuses on preserving the past in a historically accurate fashion, while the other uses modern techniques to speculate on what might have been if Elvis recorded in 2010.

Van Tourneau oversaw Viva Elvis: The Album and mixed five of the release’s twelve main tracks. “[M]y mandate was to first, really contemporize the Elvis catalog and bring him into ’10. The idea was to recreate the music as if Elvis were recording the song in ’10, so I’ve created new beats, new chord changes, or new instrumental changes for each and every song,” he says. The interview also reveals that a second volume of Viva Elvis recordings may be in the works.

Ernst Jorgensen has been the man behind Elvis Presley music releases for the last two decades. Somewhere between working on a dozen FTD Elvis collectors label releases a year, not to mention Elvis projects for the main Sony label, he managed to find time to oversee the restoration work that went into The Complete Elvis Presley Masters. “It’s like everything you hope would one day happen when you do what I do–when you compile records and you write books–to be able to put all your favorite artist’s master recordings in one box set, and be given the privilege to do a two-hundred forty page book with text and illustrations describing the entire career. It doesn’t get better than that,” says Jorgensen. It does not get much better than the work Jorgensen has done for Elvis’ musical legacy, either.

Read the full interviews at the Huffington Post.

Complete Elvis masters collections put focus where it belongs – on the music

/ TY

This week, fans began receiving The Complete Elvis Presley Masters – Sony’s limited edition 30-CD set containing 711 master recordings and 103 rarities (alternates, informal recordings, rehearsals, etc.). The first run of 1,000 copies sold out, but Sony reports there will be additional sets available next year. Sony’s premium release is a luxurious and finely packaged collection of Elvis’ music. It also includes a 240-page book and a display case. For the most part, songs are sequenced in the order in which they were recorded.

Still available is Elvis: The Complete Masters Collection, Franklin Mint’s 36-CD set that contains essentially the same 711 master recordings, but with none of the “rarities.” It includes a 24-page booklet, a record-player style display case, and a reproduction of Elvis’ first single, the Sun record “That’s All Right” backed with “Blue Moon of Kentucky.” Songs are arranged thematically by CD, so they often appear in a non-standard order.

Perhaps the packaging and sequencing of the Franklin Mint set are chintzy in comparison with the Sony version, but it does check in at about half the price. It also includes individual sleeves for the CDs, while the Sony version has them inserted into the cardboard of the display case.

Which set is better? That depends on your preferences and your budget. No full-scale reviews of the Sony set are available yet. It is, after all, over 35 hours of music. However, I have been following several threads on the subject over at the For Elvis CD Collectors Forum. As with most message board forums for passionate fans of any subject, there is a lot of drama. If you can get past that, though, it is a great resource for learning more about Elvis.

Here are links to some of the relevant threads for the new Sony set:

I have to give a special mention to frequent FECC poster ElvisSessions, who has provided in depth coverage of the box set in many of the threads above.

For me, the most important thing about either of these sets is that they shine the spotlight on Elvis’ music. Forget potato heads dressed in so-called tribute, collector plates, rubber duckies, mugs, and all of the other junk that clutters up his legacy. Elvis is about music, and that is what deserves to be showcased.

[Updated 11/9/2010 with additional thread links. The folks on FECC are hard to keep up with, boy! Also, thanks to LuckyJackson1 for his Complete Masters track reviews and for providing a link to this blog.]

“They couldn’t put diapers on me”

/ TY

I wrote this guest post in 2010 for Elvis Today.

In honor of Thomas and his wife having their first child, I’ve compiled a ranking of baby Elvis songs. Admittedly, not all of these songs refer to an infant baby. Many of them refer to a baby of the grown woman variety.

#1: Reconsider Baby
#2: Baby, Let’s Play House
#3: Baby, What You Want Me To Do
#4: Baby, I Don’t Care
#5: Like A Baby
#6: I’ve Got A Thing About You, Baby
#7: My Baby Left Me
#8: Merry Christmas Baby
#9: Bossa Nova Baby
#10: Rock-A-Hula Baby
#11: Santa Bring My Baby Back
#12: It’s Your Baby, You Rock It
#13: Ain’t That Loving You, Baby
#14: Baby, If You’ll Give Me All Of Your Love
#15: I’ve Got To Find My Baby
#16: Your Time Hasn’t Come Yet, Baby

Of course, if we expand this list to songs that include “baby” in the lyrics rather than the title, we’d have a lot more from which to choose. One fantastic song that comes to mind is “Your Love’s Been A Long Time Coming” from the Promised Land album.

Songwriter Rory Bourke talks about this one in Ken Sharp’s Writing For The King (FTD):

“That song was written about my daughter, Allyson. I wrote it days after she was born. I think Elvis thought he was singing about a big grown up girl but in reality he was singing a song about my baby. His version was absolutely awesome. He caught the complete emotion of what I was trying to say about myself in relationship with this small bundle of love.”

Elvis cut this song in 1973. By then, he had been a father for over five years. I personally think he knew exactly what kind of baby he was singing about, as he undoubtedly had similar thoughts while holding his own “bundle of love” for the first time. I imagine Thomas can suddenly relate to this song in a whole new way.

Congratulations, buddy! All the best!

/TY, The Mystery Train

Suspicious Minds remix now available on iTunes (USA)

/ TY
Suspicious Minds - Viva Elvis Version (2010)

Suspicious Minds - Viva Elvis Version (2010)

For those in the United States, the Viva Elvis remix version of “Suspicious Minds” is now available for download from iTunes. They’ve knocked this one of out the ballpark, folks. Fantastic job. Looking forward to the full album in November.

Go to iTunes to download “Suspicious Minds” (Viva Elvis Version).

Update: The new “Suspicious Minds” single is also available on Amazon.