Elvis’ new CDs highlight gospel, Christmas, and love songs [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter.


RCA has issued three new Elvis albums since the last Elvis Beat newsletter.

Elvis Presley: Amazing Grace – His Greatest Sacred Performances is a two-CD set containing over 50 songs from his gospel releases. It also contains a previously unreleased jam session captured in 1972 for Elvis On Tour, including the songs “You Better Run,” “Turn Your Eyes Upon Jesus,” and “Nearer My God To Thee.”

If Every Day Was Like Christmas contains 24 recordings and, and for the first time, gathers all of his Christmas songs on one CD. It also contains four previously unreleased versions. Some editions of this album include a 3-D Graceland pop-up, featuring the mansion as it is decorated for Christmas.

Elvis’ latest album, Heart & Soul, made its debut in February. It contains previously released love songs from the 1950s, 1960s, and 1970s. There are only two or three songs of real interest to long-time fans. “Love Me Tender” and “I’ve Lost You” are in stereo for the first time. The studio version of “Bridge Over Troubled Water” is without the artificially-dubbed applause used on its original That’s The Way It Is release.

The long anticipated boxed set for The 70s Masters is due to be released by the end of this year.

‘Elvis Country’ lives on in the 1990s [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter. You can save your Elvis stamps, as there is no need to send any letters. Spoiler alert: Elvis would be inducted into the Country Music Hall of Fame in 1998.


When Elvis Presley first started in the music business, he owed country music a small debt of gratitude, for his rockabilly style had been derived from a combination of country, rhythm & blues, and gospel music. Forty-one years later, it is country music that owes Elvis Presley a debt of gratitude.

At the Country Music Hall of Fame & Museum in Nashville, there are many Elvis items on display. However, despite these exhibits, Elvis has not been inducted into the Country Music Hall of Fame.

There was never any doubt that Elvis would become a part of the Rock ‘n’ Roll Hall of Fame, and indeed he was among the first so honored. But has Elvis contributed enough to country music to become a part of that hall of fame as well?

From the very beginning, Elvis’ music was recognized on the Billboard country charts. In fact, Elvis achieved his first top ten hit on any chart when “Baby, Let’s Play House” hit #10 on the Country Best-Seller chart and #5 on the Country Disc Jockey chart in July 1955. Elvis was four months away from signing with RCA and was still recording on Memphis’ Sun record label.

Many have been led to believe that “Heartbreak Hotel” was Elvis’ first number one hit, however his first number one was actually an RCA re-issue of “I Forgot To Remember To Forget,” which topped both the Country Best-Seller and Country Disc Jockey charts in February 1956.

Over the years, Elvis has scored 29 top ten hits on the country charts, including 11 number ones. Appropriately, Elvis’ last number one hit on any chart occurred in 1981 when a re-mix of his “Guitar Man” attained the position on the Country chart.

Although influenced by country music, most of Elvis’ 1954-1960 recordings were either rockabilly or rock ‘n’ roll songs. For most of the 1960s, Elvis’ music suffered since many of his releases were from the frequently poor soundtracks of his movies. His non-soundtrack material, which included gospel and slow-tempo songs, was notable but often lost among the enormous number of movie tunes. With the advent of the Beatles and others, rock music drastically changed, and it seems Elvis never truly identified with it again.

In September 1967, Elvis began to rebuild his music career and the logical place to start was by returning to his country roots. At the Nashville recording session, with country legend Jerry Reed on lead guitar, Elvis sounded better than ever. His selection of songs included “Guitar Man” and “Just Call Me Lonesome” and indicated a new direction for him.

From this point on, Elvis began leaning more towards recording country-type songs in his own unique style, rather than catering to the rock or even country music of the day. Elvis pointed out in 1970 that he did not consider himself strictly a country music singer, and he certainly was not. He continued to record pop, gospel, rhythm & blues, as well as the occasional rock ‘n’ roll song.

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD's country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD’s country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

However, the majority of Elvis’ 1967-1976 studio recordings could be considered country songs, or at least derived from the style. These recordings really did not quite fit the label of “country” in the 1970s, for once again Elvis had redefined music and was ahead of the times.

Although he was among its early pioneers, Elvis’ influence on modern rock music is not often easily detected. Rock has gone off on its own and often takes paths that Elvis probably would have avoided.

It is modern country music in which Elvis’ influence can still loudly be heard. His music from the last ten years of his life has grown into today’s country music. Indeed, many of its greatest stars often acknowledge Elvis as an influence, including Garth Brooks, Vince Gill, Travis Tritt, Trisha Yearwood, Ricky Van Shelton, Ronnie McDowell, Aaron Tippin, Patty Loveless, Dwight Yoakam, Tanya Tucker, Billy Ray Cyrus, Mark Chesnutt, Pam Tillis, Marty Stuart, Faith Hill, Doug Supernaw, Wynonna Judd, and the Mavericks. Although Elvis has been gone for almost 18 years, these stars and others continue to incorporate parts of Elvis’ style into their own.

Elvis has found a home in modern country music. He has been accepted by both its performers and its fans at a time when he is often shunned by others. It is time to make this home a permanent one.

In 1954, Elvis was rejected by the Grand Ole Opry. Will the Country Music Hall of Fame make the same mistake?


Join the campaign

Don’t let the Country Music Foundation continue to gloss over Elvis and his achievements. The Foundation will ultimately decide if Elvis will be inducted into the Country Music Hall of Fame. Write them a letter today expressing your opinion. The address is: [. . .].

Elvis honored at tribute [The Elvis Beat newsletter]

I was 19 when I wrote this article back in 1994 for The Elvis Beat #10, my official Elvis Presley Fan Club newsletter.


Elvis: The Tribute concert took place in Memphis at the Pyramid on October 8 and was broadcast live on pay-per-view television. It featured many stars, including Bryan Adams, Chet Atkins, Tony Bennett, Michael Bolton, Cheap Trick, Cher, Billy Ray Cyrus, Melissa Etheridge, Chris Isaac, Jerry Lee Lewis, Aaron Neville, Carl Perkins, and Dwight Yoakam. Elvis’ ex-wife, Priscilla Presley, also appeared.

Lisa Marie Presley-Jackson, her new husband, Michael Jackson, and his sister, Janet Jackson, were among the 18,000 people who attended the event. There had been plans for Lisa Marie and Michael Jackson to sing a duet in the show, but they eventually decided not to perform.

Along with Elvis songs performed by other music stars, the show included footage of Elvis singing several songs, including “If I Can Dream.”

Several performers originally slated to appear had to back out for different reasons. Among these were Billy Joel, Elton John, and Jon Bon Jovi.

Portions of the profits will go to the TJ Martell Foundation and the St. Jude’s Children’s Research Hospital.

Elvis: The Tribute will be re-broadcast in December on ABC.

Elvis restoration project continues [The Elvis Beat newsletter]

I was 19 when I wrote this piece back in 1994 for The Elvis Beat #9, my official Elvis Presley Fan Club newsletter.


RCA’s effort to digitally restore all of Elvis’ songs and release them on the compact disc format is still going strong. A 2-CD boxed set of gospel and inspirational songs will be released by end of this year. The set will contain some of the songs not included in ELVIS: From Nashville To Memphis – The Essential 60s Masters I.

To be released in 1995 is The 70s Masters boxed set, which will contain at least 5 CDs.

In May, RCA continued the Elvis Double Features series with the release of the following 1960s movie soundtracks, one of which is actually a triple feature:

  • Frankie & Johnny/Paradise, Hawaiian Style
  • Spinout/Double Trouble
  • Kissin’ Cousins/Clambake/Stay Away, Joe

Review: ELVIS RECORDED LIVE ON STAGE IN MEMPHIS CD [The Elvis Beat newsletter]

I was 19 when I wrote this review back in 1994 for The Elvis Beat #8, my official Elvis Presley Fan Club newsletter.


Elvis Recorded Live On Stage In Memphis (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded March 20, 1974, Mid-South Coliseum (Memphis). Released: July 1974. Re-released: 1994 (CD).

With the release of Elvis Recorded Live On Stage In Memphis, all of Elvis’ original live albums are finally available on compact disc. The album sounds great and the electricity of the audience as well as Elvis can truly be felt.

The great love between the performer and his audience can be heard just before the closing song when Elvis says, “It’s always been said that a person cannot return to their home town, but you have disproven that theory completely. You’ve really made it worthwhile.” The audience begins to chant, “We love you” as the band breaks into “Can’t Help Falling In Love.”

In addition to some of the mainstays of his concert repertoire, Elvis Recorded Live On Stage In Memphis also features some new songs, such as “Why Me Lord,” which is excellent, and “Let Me Be There.” Live versions of two 1950s songs, “Blueberry Hill” and “My Baby Left Me,” have never been released on any other album.

Elvis also introduces a song that he had recently recorded, “Help Me,” which would later be released on the Promised Land album.

Songs:

  1. See See Rider
  2. I Got A Woman/Amen
  3. Love Me
  4. Trying To Get To You
  5. Long Tall Sally/Whole Lotta Shakin’ Goin’ On/Mama Don’t Dance/Flip, Flop & Fly/Jailhouse Rock/Hound Dog
  6. Why Me Lord
  7. How Great Thou Art
  8. Blueberry Hill/I Can’t Stop Loving You
  9. Help Me
  10. An American Trilogy
  11. Let Me Be There
  12. My Baby Left Me
  13. Lawdy, Miss Clawdy
  14. Can’t Help Falling In Love
  15. Closing Vamp

Rating: 7.5 out of 10

Review: GOOD TIMES CD [The Elvis Beat newsletter]

I was 19 when I wrote this review back in 1994 for The Elvis Beat #8, my official Elvis Presley Fan Club newsletter.


Good Times (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded July 21-22 and December 10-16, 1973, Stax Studios (Memphis). Released: March 1974. Re-released: 1994 (CD).

Good Times contains some of the greatest songs of all of the new CDs reviewed in this issue: “Lovin’ Arms,” “I’ve Got A Thing About You, Baby,” “My Boy,” “Spanish Eyes,” and “Good Time Charlie’s Got The Blues.”

“Take Good Care Of Her” and “Talk About The Good Times” are average songs, which Good Times also contains three weak songs: “I Got A Feelin’ In My Body,” “If That Isn’t Love,” and “She Wears My Ring.”

Once again, unless you are waiting for The 70s Masters boxed set, this one is definitely a must.

Songs:

  1. Take Good Care Of Her
  2. Lovin’ Arms
  3. I Got A Feelin’ In My Body
  4. If That Isn’t Love
  5. She Wears My Ring
  6. I’ve Got A Thing About You, Baby
  7. My Boy
  8. Spanish Eyes
  9. Talk About The Good Times
  10. Good Time Charlie’s Got The Blues

Rating: 8 out of 10

Review: RAISED ON ROCK CD [The Elvis Beat newsletter]

I was 19 when I wrote this review back in 1994 for The Elvis Beat #8, my official Elvis Presley Fan Club newsletter.


Raised On Rock (RCA), recorded by Elvis Presley, produced by Felton Jarvis and Elvis Presley. Recorded July 21-23, 1973, Stax Studios (Memphis) and September 22-24, 1973, Elvis’ home (Palm Springs). Released: November 1973. Re-released: 1994 (CD).

This re-issue of Raised On Rock, which interestingly drops the original “For Ol’ Times Sake” subtitle, contains a page of poorly written liner notes, as do the other three albums reviewed in this issue, of which this is the last paragraph:

This album was recorded at a very difficult time during Elvis’ life. It could never be considered a classic. In October, his petition for divorce from Priscilla would be finalized and it must have weighed heavily on his mind. The poignancy of “For Ol’ Time Sake” [sic] puts this into perspective and makes this re-issue still a must for any real Elvis fan.

I had never heard the Raised On Rock album before, and I read the liner notes before playing it. I fully expected to be disappointed by this album since even Elvis’ own record company seems to feel that Raised On Rock was generally a worthless album with only one good song.

After listening to the album, I found that I totally disagreed with the liner notes and, in retrospect, found them insulting both to Elvis and his fans.

Does an album have to hit number one to be a “classic”? What is a classic anyway? Why is it assumed that Elvis’ personal life would have a negative impact on his music? Can’t Elvis’ own record company get the title of his song right? What is a “real Elvis fan,” anyway?

The liner notes suggest that only obsessed fans would even consider buying Raised On Rock, and, even then, they would probably only play it once.

Despite the liner notes, Raised On Rock is an excellent album that contains a wide variety of musical styles. All ten of the songs are strong and prove Elvis’ voice to be in good form. It makes one wonder if the unidentified author of the liner notes even bothered to listen to the album.

Songs:

  1. Raised On Rock
  2. Are You Sincere
  3. Find Out What’s Happening
  4. I Miss You
  5. Girl Of Mine
  6. For Ol’ Times Sake
  7. If You Don’t Come Back
  8. Just A Little Bit
  9. Sweet Angeline
  10. Three Corn Patches

Rating: 9 out of 10