The long wait ends: Elvis’ 70s MASTERS arrives [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #13, my official Elvis Presley Fan Club newsletter.


A little late, Elvis’ new boxed set hit the stores on October 10. The 5-CD release from RCA is titled ELVIS: Walk A Mile In My Shoes – The Essential 70s Masters. The set contains 26 previously unreleased tracks, including seven new songs.

The Essential 70s Masters features 120 tracks in all, many of which have never been available on CD. An accompanying 94-page booklet contains many rare photographs as well as liner notes by Dave Marsh. A sheet of stamps depicting some of Elvis’ LP album covers from the period is also in the boxed set. Each of the 5 CDs is pressed with a different photograph of Elvis on the top.

Discs 1 and 2 contain all of Elvis’ 1970s singles, with the exception of those released after his death. Discs 3 and 4 contain other studio highlights of the era. Disc 4 is devoted to a sampling of his 1970s concert performances and rehearsal tracks.

Among the previously unreleased tracks are studio versions of “My Way” and “For The Good Times,” prior releases of which had been concert recordings.

The “new” songs never before released by Elvis in any form are:

  • A Hundred Years From Now
  • Lady Madonna
  • I Shall Be Released
  • It’s Diff’rent Now
  • The Twelfth Of Never
  • Alla’ En El “Rancho Grande”
  • Froggy Went A Courtin’

All of the new songs are either informal jams or rehearsals.

With the releases of ELVIS: The King Of Rock ‘n’ Roll – The Complete 50s Masters in 1992 and ELVIS: From Nashville To Memphis – The Essential 60s Masters I in 1993, many fans anticipated seeing the 70s set last year. Instead, the 2-CD Elvis Presley: Amazing Grace – His Greatest Sacred Performances collection was released and The Essential 70s Masters was pushed back a year.

This year, RCA originally scheduled the 70s set’s release to be September 12 – which was soon moved to September 26. When the release date was changed once again, this time to October 10, many fans undoubtedly wondered if it would ever be released.

On the tenth of October, what seemed like the “Twelfth Of Never” was finally here.

According to posts to an Elvis newsgroup on the Internet, Roger Semon of RCA states the next big Elvis project will be a boxed set for his legendary 1968 ELVIS “comeback” television special.

RCA to release 70s MASTERS boxed set [The Elvis Beat newsletter]

I was 20 when I wrote this article back in 1995 for The Elvis Beat #12, my official Elvis Presley Fan Club newsletter.


RCA plans to release The 70s Masters boxed set in September. The 5-CD set will contain a studio version of “My Way,” a song previously available only in live performances. According to Graceland Express, “This studio recording gets a much softer vocal treatment from him, and seems more intimate, and in its quiet way maybe even more powerful” than the live versions.

Possibly my most eagerly anticipated release since Elvis’ death, right up there with the Elvis: The Lost Performances video, The 70s Masters CD set follows the 1992 release of ELVIS: The King Of Rock ‘n’ Roll – The Complete 50s Masters and 1993’s ELVIS: From Nashville To Memphis – The Essential 60s Masters I, both of which were also 5-CD boxed sets. The sets are part of RCA’s commitment to release all of Elvis’ songs, from the best available masters, in the CD format. However, cassette versions are also available.

Scheduled to be released on July 18, ELVIS: Command Performances – The Essential 60s Masters II will contain 62 of his movie tunes from 1960 to 1969. An RCA press release stated, “Whereas the previous volume focused on Elvis Presley’s secular studio sessions (in the 1960s), Command Performances documents the highlights of his movie recording career.” Elvis made 27 movies in the 1960s. [. . . .] The set also comes with a 24-page booklet of liner notes.

ELVIS: Command Performances – The Essential 60s Masters II seems to be following rather closely on the heels of the Elvis Double Features soundtracks, which were also devoted to his 1960s movie tunes. In March, three new Elvis Double Features CDs were released:

  • Flaming Star/Wild In The Country/Follow That Dream
  • Easy Come, Easy Go/Speedway
  • Live A Little, Love A Little/Charro/The Trouble With Girls/Change Of Habit

With the new CDs completing the series, there are now ten CDs in RCA’s Elvis Double Features collection. So, is it really time for the ELVIS: Command Performances – The Essential 60s Masters II set? Probably not, but RCA has been doing such a great job the last five years that they can be easily forgiven for one small mistake, especially since The 70s Masters is finally almost here.

Elvis’ new CDs highlight gospel, Christmas, and love songs [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter.


RCA has issued three new Elvis albums since the last Elvis Beat newsletter.

Elvis Presley: Amazing Grace – His Greatest Sacred Performances is a two-CD set containing over 50 songs from his gospel releases. It also contains a previously unreleased jam session captured in 1972 for Elvis On Tour, including the songs “You Better Run,” “Turn Your Eyes Upon Jesus,” and “Nearer My God To Thee.”

If Every Day Was Like Christmas contains 24 recordings and, and for the first time, gathers all of his Christmas songs on one CD. It also contains four previously unreleased versions. Some editions of this album include a 3-D Graceland pop-up, featuring the mansion as it is decorated for Christmas.

Elvis’ latest album, Heart & Soul, made its debut in February. It contains previously released love songs from the 1950s, 1960s, and 1970s. There are only two or three songs of real interest to long-time fans. “Love Me Tender” and “I’ve Lost You” are in stereo for the first time. The studio version of “Bridge Over Troubled Water” is without the artificially-dubbed applause used on its original That’s The Way It Is release.

The long anticipated boxed set for The 70s Masters is due to be released by the end of this year.

‘Elvis Country’ lives on in the 1990s [The Elvis Beat newsletter]

I was 20 when I wrote this piece back in 1995 for The Elvis Beat #11, my official Elvis Presley Fan Club newsletter. You can save your Elvis stamps, as there is no need to send any letters. Spoiler alert: Elvis would be inducted into the Country Music Hall of Fame in 1998.


When Elvis Presley first started in the music business, he owed country music a small debt of gratitude, for his rockabilly style had been derived from a combination of country, rhythm & blues, and gospel music. Forty-one years later, it is country music that owes Elvis Presley a debt of gratitude.

At the Country Music Hall of Fame & Museum in Nashville, there are many Elvis items on display. However, despite these exhibits, Elvis has not been inducted into the Country Music Hall of Fame.

There was never any doubt that Elvis would become a part of the Rock ‘n’ Roll Hall of Fame, and indeed he was among the first so honored. But has Elvis contributed enough to country music to become a part of that hall of fame as well?

From the very beginning, Elvis’ music was recognized on the Billboard country charts. In fact, Elvis achieved his first top ten hit on any chart when “Baby, Let’s Play House” hit #10 on the Country Best-Seller chart and #5 on the Country Disc Jockey chart in July 1955. Elvis was four months away from signing with RCA and was still recording on Memphis’ Sun record label.

Many have been led to believe that “Heartbreak Hotel” was Elvis’ first number one hit, however his first number one was actually an RCA re-issue of “I Forgot To Remember To Forget,” which topped both the Country Best-Seller and Country Disc Jockey charts in February 1956.

Over the years, Elvis has scored 29 top ten hits on the country charts, including 11 number ones. Appropriately, Elvis’ last number one hit on any chart occurred in 1981 when a re-mix of his “Guitar Man” attained the position on the Country chart.

Although influenced by country music, most of Elvis’ 1954-1960 recordings were either rockabilly or rock ‘n’ roll songs. For most of the 1960s, Elvis’ music suffered since many of his releases were from the frequently poor soundtracks of his movies. His non-soundtrack material, which included gospel and slow-tempo songs, was notable but often lost among the enormous number of movie tunes. With the advent of the Beatles and others, rock music drastically changed, and it seems Elvis never truly identified with it again.

In September 1967, Elvis began to rebuild his music career and the logical place to start was by returning to his country roots. At the Nashville recording session, with country legend Jerry Reed on lead guitar, Elvis sounded better than ever. His selection of songs included “Guitar Man” and “Just Call Me Lonesome” and indicated a new direction for him.

From this point on, Elvis began leaning more towards recording country-type songs in his own unique style, rather than catering to the rock or even country music of the day. Elvis pointed out in 1970 that he did not consider himself strictly a country music singer, and he certainly was not. He continued to record pop, gospel, rhythm & blues, as well as the occasional rock ‘n’ roll song.

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD's country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

Elvis Presley in 1968. Although he has 29 top ten hits on BILLBOARD’s country charts, he is not a member of the Country Music Hall of Fame (Original Photo Credit: Greg Howell/GRACELAND EXPRESS)

However, the majority of Elvis’ 1967-1976 studio recordings could be considered country songs, or at least derived from the style. These recordings really did not quite fit the label of “country” in the 1970s, for once again Elvis had redefined music and was ahead of the times.

Although he was among its early pioneers, Elvis’ influence on modern rock music is not often easily detected. Rock has gone off on its own and often takes paths that Elvis probably would have avoided.

It is modern country music in which Elvis’ influence can still loudly be heard. His music from the last ten years of his life has grown into today’s country music. Indeed, many of its greatest stars often acknowledge Elvis as an influence, including Garth Brooks, Vince Gill, Travis Tritt, Trisha Yearwood, Ricky Van Shelton, Ronnie McDowell, Aaron Tippin, Patty Loveless, Dwight Yoakam, Tanya Tucker, Billy Ray Cyrus, Mark Chesnutt, Pam Tillis, Marty Stuart, Faith Hill, Doug Supernaw, Wynonna Judd, and the Mavericks. Although Elvis has been gone for almost 18 years, these stars and others continue to incorporate parts of Elvis’ style into their own.

Elvis has found a home in modern country music. He has been accepted by both its performers and its fans at a time when he is often shunned by others. It is time to make this home a permanent one.

In 1954, Elvis was rejected by the Grand Ole Opry. Will the Country Music Hall of Fame make the same mistake?


Join the campaign

Don’t let the Country Music Foundation continue to gloss over Elvis and his achievements. The Foundation will ultimately decide if Elvis will be inducted into the Country Music Hall of Fame. Write them a letter today expressing your opinion. The address is: [. . .].

Elvis restoration project continues [The Elvis Beat newsletter]

I was 19 when I wrote this piece back in 1994 for The Elvis Beat #9, my official Elvis Presley Fan Club newsletter.


RCA’s effort to digitally restore all of Elvis’ songs and release them on the compact disc format is still going strong. A 2-CD boxed set of gospel and inspirational songs will be released by end of this year. The set will contain some of the songs not included in ELVIS: From Nashville To Memphis – The Essential 60s Masters I.

To be released in 1995 is The 70s Masters boxed set, which will contain at least 5 CDs.

In May, RCA continued the Elvis Double Features series with the release of the following 1960s movie soundtracks, one of which is actually a triple feature:

  • Frankie & Johnny/Paradise, Hawaiian Style
  • Spinout/Double Trouble
  • Kissin’ Cousins/Clambake/Stay Away, Joe

Review: ELVIS RECORDED LIVE ON STAGE IN MEMPHIS CD [The Elvis Beat newsletter]

I was 19 when I wrote this review back in 1994 for The Elvis Beat #8, my official Elvis Presley Fan Club newsletter.


Elvis Recorded Live On Stage In Memphis (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded March 20, 1974, Mid-South Coliseum (Memphis). Released: July 1974. Re-released: 1994 (CD).

With the release of Elvis Recorded Live On Stage In Memphis, all of Elvis’ original live albums are finally available on compact disc. The album sounds great and the electricity of the audience as well as Elvis can truly be felt.

The great love between the performer and his audience can be heard just before the closing song when Elvis says, “It’s always been said that a person cannot return to their home town, but you have disproven that theory completely. You’ve really made it worthwhile.” The audience begins to chant, “We love you” as the band breaks into “Can’t Help Falling In Love.”

In addition to some of the mainstays of his concert repertoire, Elvis Recorded Live On Stage In Memphis also features some new songs, such as “Why Me Lord,” which is excellent, and “Let Me Be There.” Live versions of two 1950s songs, “Blueberry Hill” and “My Baby Left Me,” have never been released on any other album.

Elvis also introduces a song that he had recently recorded, “Help Me,” which would later be released on the Promised Land album.

Songs:

  1. See See Rider
  2. I Got A Woman/Amen
  3. Love Me
  4. Trying To Get To You
  5. Long Tall Sally/Whole Lotta Shakin’ Goin’ On/Mama Don’t Dance/Flip, Flop & Fly/Jailhouse Rock/Hound Dog
  6. Why Me Lord
  7. How Great Thou Art
  8. Blueberry Hill/I Can’t Stop Loving You
  9. Help Me
  10. An American Trilogy
  11. Let Me Be There
  12. My Baby Left Me
  13. Lawdy, Miss Clawdy
  14. Can’t Help Falling In Love
  15. Closing Vamp

Rating: 7.5 out of 10

Review: GOOD TIMES CD [The Elvis Beat newsletter]

I was 19 when I wrote this review back in 1994 for The Elvis Beat #8, my official Elvis Presley Fan Club newsletter.


Good Times (RCA), recorded by Elvis Presley, produced by Felton Jarvis. Recorded July 21-22 and December 10-16, 1973, Stax Studios (Memphis). Released: March 1974. Re-released: 1994 (CD).

Good Times contains some of the greatest songs of all of the new CDs reviewed in this issue: “Lovin’ Arms,” “I’ve Got A Thing About You, Baby,” “My Boy,” “Spanish Eyes,” and “Good Time Charlie’s Got The Blues.”

“Take Good Care Of Her” and “Talk About The Good Times” are average songs, which Good Times also contains three weak songs: “I Got A Feelin’ In My Body,” “If That Isn’t Love,” and “She Wears My Ring.”

Once again, unless you are waiting for The 70s Masters boxed set, this one is definitely a must.

Songs:

  1. Take Good Care Of Her
  2. Lovin’ Arms
  3. I Got A Feelin’ In My Body
  4. If That Isn’t Love
  5. She Wears My Ring
  6. I’ve Got A Thing About You, Baby
  7. My Boy
  8. Spanish Eyes
  9. Talk About The Good Times
  10. Good Time Charlie’s Got The Blues

Rating: 8 out of 10