The Pacific War Memorial Commission Proudly Presents In Person: Elvis Presley

Today marks the 50th anniversary of Elvis’ benefit concert in Hawaii for the Pearl Harbor USS Arizona Memorial. Below is a repost of a feature I wrote last year about this event.


Elvis was nervous at the start of the show, but the screaming audience has since calmed his fears. Truth is, he learned to use his nervous energy to his advantage on stage years ago. Despite all that has changed in his life, the fuel that powers him continues to be his fans.

This concert is a little different from most of the others, though. This time, he is in Hawaii to raise money for a cause that is very important to him. Colonel has worked out most of the details, of course, including talks with NBC to have the concert aired on TV.

A few songs in now, Elvis glances at his hastily scribbled list to see what is up next. It turns out to be one of his favorites, one sure to get a reaction from the crowd. “Treat me like a fool,” he begins and is met with more yells of approval. He still knows his audience, no matter what anybody says.

After introducing the band and backup singers, it is time for another song. He first heard this Drifters number back in 1954, but didn’t get to record it until he was out of the Army. “It was a night, ooh what a night it was, it really was such a night,” he sings into the microphone.

This time, the audience is a little quiet at first. They don’t know this one as well. No problem, Elvis throws a little leg into it and is instantly rewarded with more cheers. Secretly, he is glad Colonel’s deal fell through and those NBC cameras aren’t here after all. No need to tone this show down.

The year is 1961, and Elvis is in Hawaii to help raise money for the USS Arizona memorial. Just over seven months from now will mark the twentieth anniversary of the December 7, 1941, Japanese sneak attack on Pearl Harbor that plunged the United States into the middle of World War II.

That attack sunk the mighty Arizona, forever entombing over 1,000 officers and crew below the water in the battleship. Yet, a memorial commission established in 1949 is still having trouble finding the money to start construction on a proper tribute to the fallen.

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Though NBC ended up not filming the show, fortunately at least the audio was captured and preserved for us to still hear today. It appears on the 1980 “Silver” boxed set Elvis Aron Presley, which received a CD release in 1998. The sound quality is not great, but it is certainly listenable.

I pulled this set out for the first time in years yesterday and loved hearing this top-notch and exciting concert. It also reminded me that quite some time ago I had set aside a related book for later reading. As is often the case, by the time “later” came, I had forgotten about it.

Elvis In Hawaii by Jerry Hopkins (author of Elvis: A Biography and Elvis: The Final Years) is an oversized book filled with text and photos about Elvis’ various excursions to Hawaii, including this 1961 concert. One of the cool pieces of memorabilia in the book is Elvis’ handwritten set list for the show, which helped inspire today’s post. Interestingly, he originally planned to sing “Doin’ The Best I Can,” a 1960 album cut from G.I. Blues, before scratching it out and replacing it with his 1956 hit “Don’t Be Cruel.”

Of course, Elvis would return to Hawaii a number of times after this show, including the 1973 cancer fund benefit for which the television cameras of NBC and the world were present, Aloha From Hawaii.

USS Arizona Memorial in 2006

USS Arizona Memorial in 2006

The 1961 USS Arizona benefit raised over $50,000 for the memorial as well as turned a spotlight on the issue to encourage contributions from others, including the US Congress. On Memorial Day 1962, the memorial was finally dedicated.

Though no one knew it at the time, the show also marked Elvis’ last live appearance for over seven years until the studio audience tapings of the 1968 ELVIS television special and his full-fledged 1969 Las Vegas shows. Instead, for better or worse, most of the rest of his 1960s career would focus on making movies.

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Elvis knows he could stay on all night and they would stay, but the show is winding down now. He won’t be leaving Hawaii yet, though.

In just a couple of days, he has to start filming a new movie, Blue Hawaii. Though Mr. Wallis once told him it was to be a “drama,” Elvis is no longer so sure of that after reading the script and recording over a dozen songs for the soundtrack back in Hollywood just a few days ago.

Being on stage in Hawaii is a lot better than that stuffy recording studio. “We’d like to do a spiritual song for you, ladies and gentlemen, from our religious album called His Hand In Mine,” he says. “It goes something like this.”

He launches into “Swing Down, Sweet Chariot.” For that moment on stage, all is right in his world.

Guest Post: Elvis 1967 – Clambake!

When Ty announced that The Mystery Train Elvis Blog would honor the 44th anniversary of 1967 with special features on that Elvis year all throughout 2011, I couldn’t keep my fingers away from the keyboard. Not only does 1967 mark the year I was born, it also saw the release of the soundtrack album Clambake, and I’d like to talk a little bit about the latter.

Clambake (1967)

Clambake (1967)

Actually, Clambake isn’t strictly a soundtrack album as it includes no less than five bonus songs, four of them recorded in Nashville on September 10-11, 1967. No doubt this is a big part of the explanation why I like it. And although one of the worst soundtrack songs Elvis ever recorded is featured on it as well, a lot of the movie material works surprisingly well.

Clambake is the only soundtrack album to kick off with a bonus song, and what a start it is. For starving fans back in 1967 it must have been a joy to listen to Elvis belting out “Guitar Man.” This is one of the songs that revealed that Elvis was again showing signs of musical creativity and a newly found interest in his career.

Although the same thing can’t be said about the next song, I actually enjoy the title track “Clambake.” It’s a fun number and I love it when Elvis sings “Aaaaaaaallrigh” at the beginning of the instrumental break.

The duet “Who Needs Money?” is a dreary song, but what follows is the pretty little ballad “A House That Has Everything.” Unfortunately, it’s then time for “Confidence,” a song I would list among the five worst numbers Elvis ever recorded. A children’s song that is unlikely to appeal to any child, or grownup too, for that matter.

The last song on side 1 of the original LP is “Hey, Hey, Hey,” a number many fans think is crap. I agree that the lyrics are silly and that the scene in the movie where it’s sung is an awful one. But I think it works well on record, it’s a funky, enjoyable number.

Side two is actually better than the first one, no doubt because the rest of the bonus songs can be found on it, together with the beautiful “You Don’t Know Me,” certainly one of Elvis’ best soundtrack ballads. When I bought the LP I never understood why it was labeled “Specially recorded for records.” It was years later that I learned that Elvis wasn’t satisfied with the version recorded during the Clambake session, on February 21, 1967.

“The Girl I Never Loved” is another beauty, I love it when Elvis sighs while singing “The kiss I never got, somebody else will make…” A sensitive ballad.

Why is is that some of the best songs are always cut from the movies? “Animal Instinct” from Harum Scarum and “Sand Castles” from Paradise, Hawaiian Style are two such examples, the bonus song “How Can You Lose What You Never Had” from Clambake another.

The three excellent bonus songs “Big Boss Man,” “Singing Tree,” and “Just Call Me Lonesome” round off the original Clambake album, released in October 1967, four months after I was born. I first listened to it maybe fifteen years later, and still do now and then. Clambake, gonna have a clambake!

/Thomas, Elvis Today


Throughout 2011, The Mystery Train Elvis Blog is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

By Any Other Name

A couple of weeks ago, I told you about the forthcoming Follow That Dream Records release White Knight In Vegas. FTD, which is Sony’s collectors label for Elvis fans, announced yesterday that the CD has been retitled to Live In Vegas: August 26, 1969 Dinner Show. Content is the same as previously reported. The February 15 release date is apparently unaffected, though I would not be surprised if there turns out to be a slight delay.

One of the best music blogs around is The Second Disc, which I visit daily. It focuses on catalog releases across a full spectrum of genres. Though I am not likely to create a blog devoted to anyone else, my music tastes go far beyond Elvis, and I always find something of interest there.

The Second Disc also does a good job of covering Elvis’ Sony releases. I was glad to see earlier this week that FTD is now on their radar as well, with a story about the then-titled White Knight In Vegas release.

It’s always good to see Elvis releases covered on sites that are not specifically about him. For other artists, I find out about and purchase many releases I would not otherwise know about due to The Second Disc, and the same may hold true for more casual Elvis listeners who visit that site.

Does every FTD release warrant such exposure? No, but Live In Vegas certainly does, as well as titles in the FTD Classic Album series, which features reissues of original albums with tons of outtakes.

Last month, FTD completed its Classic Album coverage of the November 1957 Jailhouse Rock Extended Play album with the two-disc Jailhouse Rock, Volume 2. Between the two volumes, this means that FTD devoted four CDs to what was originally a five-song EP. Now, that’s what I call a collectors label!

FTD’s next Classic Album entry has not yet been announced, but I’m hoping for coverage of the January 1975 LP album Promised Land (recorded in 1973).

The FTD label began in 1999 and has released nearly 100 titles so far, more albums in eleven years than Elvis released during his entire twenty-three year career. FTD releases are available from ShopElvis.com and other online Elvis retailers. Since they originate in Denmark and then ship to retailers, there is usually a two or three week delay after the “release date” before the CDs arrive for those of us in the United States – though that delay seems to be less lately. FTD releases are usually worth the wait.

Elvis 1967: Indescribably Blue/Fools Fall In Love single

Elvis’ first record release of 1967 was the 45 RPM single “Indescribably Blue” backed with “Fools Fall In Love.” Recorded in Nashville the previous year, the single shipped on January 10. “Indescribably Blue” eventually made it to #33 on the Billboard Hot 100 chart (February 25, 1967).

While it may not have been reflected in the chart position, “Indescribably Blue” was one of Elvis’ greatest records – showcasing a more powerful voice, yet harkening back to some of his earliest recordings. Elvis’ friend Lamar Fike, who passed away yesterday, apparently suggested that he record the song, which was written by Darrell Glenn.

The flip side was a cover of “Fools Fall In Love,” a Jerry Leiber and Mike Stoller song first recorded by the Drifters in 1957. While Elvis’ version is good and manages to overcome a weak, almost movie-tune-style arrangement, I definitely have to give the Drifters the edge on this one.

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Research Sources

  • Elvis Presley: A Life In Music – The Complete Recording Sessions by Ernst Jorgensen, St. Martin’s Press, New York, 1998.
  • The Elvis Encyclopedia by Adam Victor, Overlook Duckworth, New York, 2008.
  • ELVIS: His Life From A To Z by Fred Worth and Steve Tamerius, Wings Books, New York, 1992.
  • Billboard, Vol. 79, No. 8, Nielsen Business Media, Inc., February 25, 1967.

Throughout 2011, The Mystery Train Elvis Blog is commemorating the 44th anniversary of 1967. Why? Riders of this train love exploring Elvis’ entire career, not just the 1950s. Find out more here.

And now, a very special announcement….

Elvis Presley Enterprise’s big tourism push this year for Graceland is centered around the 55th anniversary of Elvis’ many accomplishments in 1956 (“2011 Graceland Tourism Campaign Commemorates 55th Anniversary of Groundbreaking Year” — Elvis.com).

“55th” seems to me like a rather arbitrarily chosen “major anniversary” year, though. Any excuse to keep the focus on 1956, right? The beauty of it is that EPE can pull all of this stuff back out in five years and change the text to say “60th anniversary.”

There have been some rumors lately, however, that Elvis Presley’s career actually extended beyond the years 1954 to 1958. In fact, I’ve looked into them and discovered the rumors to be true. In honor of these historical findings, I’ve decided to choose my own arbitrary Elvis year to focus on in 2011.

And now, a very special announcement….

The Mystery Train will honor the 44th anniversary of 1967 with special features on that Elvis year all throughout 2011.

Elvis Is Back! Legacy Edition coming in March

The Second Disc yesterday posted a write-up and track listing for the forthcoming Sony Legacy Edition of Elvis Is Back! (“‘Elvis is Back’ is back” — The Second Disc). The Legacy Edition is a 2-CD set containing the LP albums Elvis Is Back! (1960) and Something For Everybody (1961). Also included are the associated singles from those albums. Singles were often left off of Elvis’ main LP releases during that time because they were saved instead for the Golden Records compilation LP series.

Recorded just after his return from the Army, Elvis Is Back! represents one of Elvis’ all-time greatest albums. I haven’t covered the Elvis Is Back! Legacy Edition here until now because both featured albums have already received separate two-CD deluxe set treatments on Sony’s Follow That Dream Elvis collectors label.

The FTD editions contained tons of alternate takes and the like in addition to the master takes, while the Legacy Edition sticks only to the master takes. Hardcore fans will want the FTD releases instead, but the Sony Legacy edition looks to be perfect for more mainstream fans, or perhaps those who are just starting to explore Elvis’ catalog beyond the typical greatest hits collections.

Previous Legacy Edition releases for Elvis were From Elvis In Memphis (coupled with Back In Memphis) and On Stage-February 1970 (coupled with Elvis In Person). Elvis Is Back! Legacy Edition (coupled with Something For Everybody) hits stores on March 1.

If you are interested in the Sony Follow That Dream editions instead, you can look for them at ShopElvis.com and other online Elvis retailers.

Coming Soon: White Knight In Vegas (August 26, 1969, DS)

Follow That Dream Records will release in February White Knight In Vegas, a new CD containing Elvis’ August 26, 1969, Dinner Show (“New FTD Releases” — ElvisNews.com). FTD is Sony’s collectors label for Elvis fans.

Track Listing
01 Blue Suede Shoes*
02 I Got A Woman*
03 All Shook Up*
04 Love Me Tender*
05 Jailhouse Rock/Don’t Be Cruel*
06 Heartbreak Hotel*
07 Hound Dog*
08 Memories*
09 My Babe (previously released: Elvis Aron Presley)
10 Mystery Train/Tiger Man*
11 Monologue*
12 Baby, What You Want Me To Do*
13 Runaway*
14 Inherit The Wind (Collectors Gold)
15 Yesterday/Hey Jude*
16 Introductions*
17 In The Ghetto*
18 Suspicious Minds (Elvis In Person)
19 Can’t Help Falling In Love (Elvis In Person)

* = previously unreleased

Since five full shows from this same engagement have been officially before, some sad and disappointed fans in various places are already whining things like, “If you’ve heard one of these shows, you’ve heard ’em all” and indicating that White Knight is hardly an essential release.

Nonsense.

White Knight will actually mark the first full release of a show that contributed songs to the original Elvis In Person (From Memphis To Vegas/From Vegas To Memphis) live compilation album. Plus, the songs “My Babe” and “Inherit The Wind” have never been featured on any full show release before.

The 1969 Vegas season represents Elvis at the top of his game. Whether first, sixth, or fifty-seventh, every 1969 (and 1970, for that matter) show is essential upon release from the vaults. How many of them do I want? All of them. (And I’m not a “buy every concert no matter what” collector, either. These shows are special.)

Also coming in February is a vinyl version of the recent How Great Thou Art classic albums release.

FTD releases are available from ShopElvis.com and other online Elvis retailers.

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Additional Sources